l D-SLR Camera Reviews and Comparision Chart Mon, 20 Sep 2010 00:07:45 -0500 http://www.dslrcamerasreviews.com/ DSLR D-SLR Camera Reviews and Comparision Chart http://www.dslrcamerasreviews.com/images//themes/dslrcamerasreviews/images/dslr-cameras-reviews.jpg http://www.dslrcamerasreviews.com/ davidyee@yahoo.com FUJI FinePix X100 Small Form Factor D-SLR Unveiled http://www.dslrcamerasreviews.com/a-33.html FUJIFILM today introduced the FUJI FinePix X100, a high-grade digital compact camera featuring an APS-C CMOS sensor, a Fujinon 23mm fixed focal length lens and a newly developed Hybrid Viewfinder, due for commercial release in early 2011. The FinePix X100 is aimed at the professional photographer or keen enthusiast looking for exceptional quality pictures from a compact camera. It is designed to appeal to the millions of DSLR users who need a slim back-up camera for high quality in-fill shots when the use of a bigger SLR system is either inconvenient or impractical. Or, of course, it can be used as a professional's only top-end camera, if size and versatility are the primary considerations. Fujifilm has closely studied the current line-up of professional cameras and feels that there is a strong need for a compact high-quality (APS-C based) camera as a counterpoint to an SLR. Using the experience of working with generations of photographers using famous emulsions like Velvia, Provia, Astia etc., Fujifilm engineers distilled this knowledge into months of careful study to create the perfect compact-sized professional camera. The priority for this model is picture quality, so it was decided to make the highest quality possible lens and sensor combination, built from the ground-up. The lens chosen is a fixed, prime F2 lens, made by Fujinon, manufactured to perfectly match the APS-C custom sensor. Added to this is the newly-developed EXR Processor, which combines all the latest image processing technology Fujifilm has technology built up over the years. Other cameras on the market look to fill the need for the ultimate ‘compact’ professional camera, but the Fujifilm development team believe that, having listened to the marketplace, the FinePix X100 offers a number of technical developments that will set this camera apart from other contenders. The main technologies employed in this camera are as follows: Hybrid Viewfinder (New Development) The Hybrid Viewfinder on the FinePix X100 combines the window-type “bright frame” optical viewfinder found in high-end film cameras such as 35mm or medium-format cameras, and the electronic viewfinder system incorporated in fixed single lens or mirrorless digital cameras. By using integrating a prism for the 1,440,000 dot LCD panel image on the viewing screen in the reverse-Galilean optical finder, the Hybrid Viewfinder can show both the shooting frame and a variety of shooting data. Of course, it can also be used as a high-quality electronic viewfinder to compose or playback shots. With this ability to instantly switch between optical and electronic viewfinder images with simple “one touch” control. The new Hybrid Viewfinder offers users expanded freedom in the composition and enjoyment of photography in a range of challenging shooting conditions. While digital compact cameras have become ever slimmer and more compact in recent years, composing and viewing shots on large, higher resolution LCD panels on the back of the camera has become the mainstream practice for today's users. On the other hand, shooting with an optical viewfinder is the standard practice for conventional film cameras and the preferred method for large numbers of digital camera owners. Many prefer the finder to be as close as possible to the eye so the user can focus attention exclusively on photo composition to get a clear view of the subject without distraction. While traditionalists prefer the clear, sharp view of an ‘optical’ finder, modern electronic displays, giving data like shutter speed, aperture, white balance, exposure correction and sensitivity can aid the photographer tremendously. The new Hybrid Viewfinder on the FinePix X100 aims to give the user the ‘best of both worlds’. Further specifications for the Hybrid Viewfinder are as follows: * The reverse Galilean optical finder with a 0.5x magnification features all-glass elements made from high-refractive index glass and demonstrates low chromatic aberration and distortion. * In optical viewfinder mode, the brightness of both the “bright frame” and text data is automatically adjusted according to the brightness of scene area, ensuring that shooting information is always easily and clearly viewable. * Displayed shooting data is constantly updated according to changes in shutter speed, exposure, sensitivity and other settings. * In electronic viewfinder mode, the photographer can preview the picture or playback the result with the “through the sensor” image review. Available with one-touch switching ease, this capability enables the user to preview and confirm exposure settings, depth-of-field effects, white balance, and macro shots. 12.3 Megapixel APS-C CMOS Sensor * The FinePix X100 features a custom CMOS high-performance sensor, internally optimized and developed exclusively for this model. * Optimization of the angle-of-incidence in conjunction with the specially developed lens maximizes light gathering efficiency extending to the perimeter of the sensor for a sharper image with exceptional clarity. * View larger image * When shooting HD movies, the combination of the large-sized sensor and the large aperture F2 lens, lets users shoot a soft out-of-focus touch (bokeh) - a capability not available in conventional compact cameras. * The ideal combination of a fixed focal length lens, high-sensitivity sensor (approx. 10 times the sensitivity of a conventional compact*1) and a high-performance image processor captures exceptionally high-quality images over the entire sensitivity range from low to high ISO settings. * The high-speed CMOS sensor read-out and the EXR Processor's enhanced focusing system contributes to the high-speed AF performance, while the combination of the optical viewfinder and extremely low shutter time lag enhance the pleasure of every shot. * *1 Comparison with other FinePix compact camera models. 23mm F2 Fujinon (Aspherical) Lens * The newly-developed lens offers a focal length of 23mm (135 equivalent: 35mm) and a widest aperture of F2. Made from molded glass, the lens contains 8 elements in 6 groups. * The adoption of the non-collapsible lens structure with minimized lens length not only contributes to the compact size but also eliminates telescoping of the lens when the power is on. It's ready to start shooting the moment you turn it on. * Exploiting the merits of fixed focal length lens, this lens delivers sharp resolution of the total image from the center to the corners. In addition, the lens features not only the large F2 aperture value, but also an optical architecture that maintains a high degree of resolution even when closed by 1 to 2 stops. FinePix X100 Lens Structure MTF (Modulation Transfer Function) Curve * The lens uses a 9-blade aperture diaphragm. A large F2 aperture and high-quality optics let users take beautiful photos with a soft out-of-focus (bokeh) effect. * The lens enables macro shooting as close as 10 cm. * Featuring a built-in ND filter (equivalent f-stop reduction of 3), the lens can enhance depth-of-field even in bright shooting conditions by enabling the aperture to be kept wide open. Shutter speed can also be reduced to capture waterfalls, or any shot where intentional blur is required. EXR Processor (Newly Developed) * When combined with the high-performance lens and high-sensitivity sensor, the newly developed EXR Processor achieves the highest definition, sensitivity and wide dynamic range image quality of any digital camera produced by Fujifilm. * Throughout development of the processor, Fujifilm has re-examined every aspect from response to the circuit structure, and achieved a significant leap in signal processing performance for a more responsive and faithful reproduction of the image. * The graphical interface (style and rendering of the LCD information) has been upgraded in the newly developed LSI to enhance the user experience and to improve the clarity of the information presented. Design * Inspired by the beauty and form of classic cameras from the past, the FinePix X100 combines all the latest technical digital innovations in a beautiful, traditional chassis which oozes class and prestige. * The ergonomics of the design offer the perfect balance between compact convenience and user-friendly operation. * The camera controls have been carefully thought out to give the photographer simple and speedy access to aperture, shutter speed, ISO etc, to allow maximum creative expression with minimum hassle. Custom modes can also be used for a one-touch change in settings. * The upper control deck/bottom surface has been cast from magnesium alloy (semi-solid metal casting) to contribute to a high-precision camera body with high rigidity. * All dials on the upper control deck are fabricated from metal. Adoption of traditional ’manual‘ dials lets the user confirm the position of the settings without turning on the power. * Premium quality is evident in every detail. The chassis has been finished with high-quality leather accents and is a delight to use and a pleasure to hold. * * Design and specifications may be subject to change without notice. Mon, 20 Sep 2010 00:07:45 -0500 Pentax K-r DSLR Cameras Unveiled http://www.dslrcamerasreviews.com/a-32.html PENTAX today unveiled the Pentax K-r DSLR digital cameras with multiple color options. The colorful PENTAX K-r DSLR camera offers advanced yet simple to use features at an attractive price. The compact, lightweight PENTAX K-r is easy to use with Auto Picture, Scene, and Custom Image Processing modes that take the guesswork out of shooting stunning images while still offering a high degree of manual and priority control. The K-r offers a variety of new and improved features including a fast framerate, high ISO sensitivity, responsive autofocus, an improved 12.4 megapixel low-noise sensor and widescreen HD video capture that take it a step above an entry-level DSLR camera. Key features of the PENTAX K-r that are new or have been improved upon from the most recent entry to mid-level PENTAX DSLR models include: • Three stylish color choices include traditional black, the new classic white, and PENTAX red reflect any owner’s personal style. • Large 3 inch LCD with 921,000 dots of resolution. • Faster high speed 6 FPS framerate that captures 25 images in a single sequence. • A maximum 1/6000 second shutter speed. • Viewfinder focus point indicator. • Improved in-camera HDR image capture including a Night Scene HDR mode. • High sensitivity 100-25600 ISO range with improved noise performance from the new 12.4 megapixel CMOS sensor. • Versatile dual-power-source design, which offers the choice of either a rechargeable lithium-ion battery or four AA-size battery power (using optional AA Battery Holder D-BH109). • Infrared data transfer compatible with the IrSimple™ high-speed infrared data transmission system for wireless data transfer to the web or other IrSimple-compatible devices (includes a match-game between two PENTAX K-r’s). Other important features of the new K-r models include: • Widescreen 720p HD video at 25 FPS. • PENTAX-original Shake Reduction mechanism for sharp, blur-free images that works with every PENTAX lens ever made • Dust Removal mechanism, to shake dust off the CMOS image sensor. • Highly responsive and accurate 11 point SAFOX IX autofocus system with dedicated AF assist lamp. • Wide range of in-camera image processing and special effects filters. With a highly portable, compact and lightweight body in a choice of colors, the K-r holds appeal for busy parents, family memory-keepers, travelers and anyone who reflects personal style in all their pursuits including their journey into photography or videography as a skill or hobby. The PENTAX K-r digital SLR will ship in October 2010 for as follows: K-r Body Kit $799.95 USD K-r Lens Kit w 18-55 $849.95 USD K-r Double Lens Kit w 18-55, 50-200 $899.95 USD K-r Double Lens Kit w 18-55, 55-300 $999.95 USD PENTAX also announced the smc PENTAX DA 35mm F2.4 AL, standard lens designed exclusively for use with PENTAX digital SLR cameras. This new lens is versatile enough to be used with a wide range of subjects and applications for high-resolution images with edge-to-edge sharpness. It is a perfect choice for digital SLR beginners to familiarize themselves with the basics of using interchangeable lenses. The PENTAX DA 35mm F2.4 AL lens also will ship in October for $219.95 USD. More information is available here: www.pentaximaging.com and product images are available here: www.pentaximaging.com/press/pressfiles.html An information video is available here: www.pentaximaging.com/pentaxian1 Thu, 09 Sep 2010 02:34:36 -0500 Olympus PEN E-P2 Black-on-Black Kit Unveiled http://www.dslrcamerasreviews.com/a-31.html Olympus today launched the Olympus PEN E-P2 black-on-black kit. For the first time, the PEN E-P2’s stylish retro black metal body is complemented by a black M.ZUIKO DIGITAL ED 17mm lens and a black FL-14 flash in an exclusive, limited availability kit. Look what you can do with a PEN E-P2 kit. Just like the original, it blends high-quality still images like those taken with a Digital Single Lens Reflex (DSLR) with High Definition (HD) video, stereo linear PCM audio recording and In-Camera Creativity inside an ultra-portable body. “The PEN E-P2 kit’s edgy black styling gives the camera a discreet, more professional look. Perfect for photographers who want to capture the action without being a distraction,” said Katie Roseman, product manager, Olympus Imaging America Inc. “Photo enthusiasts will appreciate the camera for its excellent image quality, HD video, creative functions and high-end stereo sound, while design aficionados will relish its sleek black profile.” The powerfully simple PEN E-P2 is compatible with an array of Micro Four Thirds lenses, including the newly announced M.ZUIKO DIGITAL ED 75-300 MM F4.8-6.7 and M.ZUIKO DIGITAL ED 40-150MM F4.0-5.6, which feature a high-speed, silent autofocus during still shooting and HD movie capture. It is part of a new generation of system cameras. The black Olympus PEN E-P2 kit will cost $999.99 and will be available at select photo specialty stores beginning in October, 2010. The kit includes the PEN E-P2 Body, black M.ZUIKO DIGITAL ED 17mm lens, black FL-14 flash, USB Cable, Video Cable, Li-Ion Battery Pack, Li-Ion Battery Charger, Shoulder Strap, OLYMPUS [ib] software CD-ROM, Manuals and Registration card. Tue, 31 Aug 2010 13:31:25 -0500 Canon EF 8-15mm f/4L Fisheye USM, L-series 70-300mm Zelephoto Zoom, EF 70-300mm f/4.5-5.6L IS USM and EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM Lens Unveiled http://www.dslrcamerasreviews.com/a-30.html Canon today also launched 4 new L-series lenses and two new accessory extenders for professionals and advanced amateurs. Leading the introductions, the EF 8-15mm f/4L Fisheye USM lens is the world's widest fisheye zoom lens, providing professional photographers and cinematographers with a unique optical tool for capturing 180˚ angle-of-view shots on all EOS Digital SLR cameras. Photographers looking for a broad focal length range with excellent image quality will enjoy the Company's first L-series 70-300mm telephoto zoom lens, the new EF 70-300mm f/4.5-5.6L IS USM lens, delivering outstanding sharpness, contrast and color fidelity in a compact, lightweight form factor. Canon is introducing two new versions of its popular super telephoto lenses, the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM super-telephoto lenses delivering incredible image quality at all apertures for professional photojournalists, sports and wildlife photographers. For professionals and advanced amateurs looking to push their L-series Canon telephotos to the limit, the Company is proud to upgrade its two popular extenders with the new Canon Extender EF 1.4x III and Extender EF 2x III for additional telephoto reach and exceptional clarity. Photographers will immediately notice that the latest Canon L-series telephoto lenses and extenders have a more neutral white tone compared to earlier models. This new shade of white will be used with all L-series telephoto lenses and extenders beginning in the second half of 2010. The introductions of these Canon lenses have been timed with Canon's latest camera introduction, the Canon EOS 60D Digital SLR camera, designed for advanced amateurs and emerging professional photographers. "Canon's core has always been our optics, and we are constantly challenging ourselves to produce better and more advanced optical systems for our customers. These six new products advance the state of the art in Canon lens technology and provide new and innovative tools for professionals and advanced amateur photographers," stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. Canon EF 8-15mm f/4L Fisheye USM lens With its unique focal length range, the EF 8-15mm f/4L USM is the world's widest fisheye zoom lens. It delivers 180§ diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180˚ circular fisheye images for full-frame EOS models. Professional photographers and cinematographers will revel in the unique perspectives afforded to them through this lens, particularly when coupled with the highly popular full-frame EOS 5D Mark II DSLR camera. Canon's new Fisheye zoom lens features both UD and aspherical lens elements to enhance image quality and is equipped with rubber gaskets and seals to enhance weather resistance. Canon's proprietary SWC (Sub Wavelength Structure Coating) is used to minimize flare and a new fluorine anti-smear coating is applied to the front and rear elements to make lens cleaning easier than ever. The Canon EF 8-15mm f/4L Fisheye USM lens is expected to be available in January of 2011 for an approximate retail price of $1,400. Canon EF 70-300mm f/4-5.6L IS USM lens Compact and lightweight, yet durable and professionally sharp, the EF 70-300mm f/4-5.6L IS USM lens is the ideal telephoto zoom lens for advanced amateurs looking for that extra reach to bring a subject in tight and close. Providing the power and durability to maximize every shooting opportunity, the Canon EF 70-300mm f/4-5.6L IS USM lens features two UD ultra-low dispersion glass elements for enhanced sharpness, L-series weather and dust sealing for shooting in harsh conditions, improved mechanical design, and streamlined ergonomics to help avoid inadvertent mode switch operation. The shapes of the lens elements and their coatings have been optimized to minimize ghosting and flare to produce high-contrast and high-resolution throughout the zoom range. A sophisticated floating system optical formula optimizes image quality at all distance settings and reduces minimum focusing distance by more than a foot. An updated optical image stabilization system compensates for camera shake up to an equivalent of four full shutter-speed steps, a full step improvement compared to earlier EF 70-300mm lenses. A new fluorine anti-smear coating is applied to the front and rear elements. The Canon EF 70-300mm f/4-5.6L IS USM lens is expected to be available toward the end of October for an approximate retail price of $1,500. Canon EF 300mm f/2.8L IS II USM lens The Canon EF 300mm f/2.8L IS II USM is the 6th generation of a venerable family of Canon 300mm f/2.8 lenses that began in 1974, and have become famous for their exceptional sharpness, contrast and color fidelity. Ideal for a wide range of applications ranging from professional photojournalism and sports photography to nature and wildlife, Canon's 300mm f/2.8 lenses have always led the industry with new technical advances in every generation. The EF 300mm f/2.8L IS II USM lens carries on this tradition with improved image quality, lighter weight, improved Image Stabilization and enhanced durability making it a great option for handheld work in the field. The optical formula of the new lens has been upgraded with the inclusion of two fluorite lens elements for improved image quality and reduced chromatic aberration. Helping to reduce arm fatigue, Canon has reduced the overall weight of the lens by 8 percent to 82.9 oz., making it the lightest weight lens in the Canon EF 300mm f/2.8 series. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation and has been enhanced through the incorporation of a rolling-ball-friction system in place of sliding parts in the compensation optics barrel for a minimum-friction structure. The overall durability of the lens has also been enhanced through increased usage of magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches and a new fluorine anti-smear coating applied to the front and rear elements. The Canon EF 300mm f/2.8L IS USM lens is expected to be available in December for an approximate retail price of $7,000. Canon EF 400mm f/2.8L IS II USM lens Quintessential for many sports assignments including baseball, football, soccer and golf, Canon's professional 400mm f/2.8 lenses provide the light gathering capability and long telephoto reach that photographers need to freeze the action and fill the frame . The Canon EF 400mm f/2.8L IS II USM is the 5th generation in Canon's 400mm f/2.8 series and the successor to the current EF 400mm introduced in 1999. The new lens has been engineered for the ultimate in optical performance through the use of two fluorite lens elements for improved quality and reduced chromatic aberration. Helping photographers in the field, Canon has reduced the overall weight of the lens by a substantial 28 percent from 189.4 oz to 135.8 oz, making it Canon's lightest weight 400mm f/2.8 lens ever. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation and has been enhanced through the incorporation of a rolling-ball-friction system in place of sliding parts in the compensation optics barrel for a minimum-friction structure. The overall durability of the lens has also been enhanced through increased usage of magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches and a new fluorine anti-smear coating is applied to the front and rear elements. The Canon EF 400mm f/2.8L IS USM lens is expected to be available in December for an approximate retail price of $11,000. Canon Extender EF 1.4x III & Canon Extender EF 2x III The two new EF extenders are direct replacements of the current extenders offered by Canon as essential accessories for professionals. These new extenders have been designed to provide faster autofocusing and improved autofocus precision with compatible EF lenses. Each extender includes an anomalous dispersion lens element for reduced chromatic aberration and enhanced optical image quality. Each extender also features a newly developed microcomputer that increases AF precision when the extenders are used with a IS Series II EF super-telephoto lens. Both extenders are equipped with rubber gaskets and seals to enhance weather resistance. A new fluorine anti-smear coating is applied to the front and rear elements of both extenders. The Canon Extender EF 1.4x III & Canon Extender EF 2x III are expected to be available in December for an approximate retail price of $500 each. New Lens Features In addition to an anti-reflection multi-coating, the front and rear elements of all newly announced EF lenses and extenders are treated with Canon's new fluorine anti-smear lens coating. The fluorine layer is highly oil- and water-repellent so that any oil smears or water droplets on the lens can be wiped off quickly and easily without the aid of solvents using a soft dry cloth. These four new lenses and two new extenders are the first of their type to employ fluorine coating, and it is expected that this new feature will enhance the usability of the lenses during adverse shooting conditions. The new Series II EF super-telephoto lenses can correct camera shake up to four full shutter speed steps, compared to two shutter speed steps for the original versions. This improvement is made possible by a new low-friction stabilizer mechanism that is not only more efficient than the previous design but also smaller and lighter. Other enhancements to the IS systems of both new super telephoto lenses have enabled quieter operation ideal for use during video capture. Providing professional sports and wildlife photographers with greater tracking flexibility, Canon has introduced a third Image Stabilization mode option to its new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM lenses. When mode 3 is selected on the lens, the image stabilization effect will not be seen in the viewfinder. When the shutter button is pressed halfway, the lens will begin detecting camera or lens movement and only during exposure, when the shutter is fully depressed, will the Image Stabilization engage and provide the equivalent of four stops faster compensation for blur-free images. The new Mode 3 is particularly useful when a photographer does not want to see the IS working in the viewfinder while tracking a moving subject. Helping moviemakers achieve smoother and more appealing focus shifts when filming on EOS DSLR cameras, Canon has included a new Power Focus (PF) mode on the Company's two new super telephoto lenses. This mode allows manual rack focusing to be operated smoothly by turning a playback ring that is normally used for the focus preset function. Both low-speed and high-speed focus shifting are available. Additionally, a new security slot attachment has been included on both new super-telephoto lenses to allow a wire-type security lock to be easily affixed, a great safety feature for professionals shooting from high vantage points above arenas and crowds. Thu, 26 Aug 2010 00:37:12 -0500 Canon EOS 60D DSLR Camera Unveiled http://www.dslrcamerasreviews.com/a-29.html Canon today unleashed the Canon EOS 60D DSLR Camera with 1080P Full HD video recording. For the first time on an EOS camera, the EOS 60D DSLR boasts a three-inch Vari-Angle Clear View LCD screen, EOS Full HD video recording with manual overrides including audio level control, and in-camera functionality for RAW image processing plus Creative Filters to manipulate images after taking them. Designed primarily for advanced amateurs, the EOS 60D replaces the EOS 50D and boasts a broad array of new features that make it easier for photographers to add personal creativity to their images. Whether it's capturing an overhead shot on the Vari-Angle screen at a graduation ceremony, or converting a color image to black and white for a nostalgic look, Canon is delivering in-camera features and functions that empower advanced photographers to capture, display and print the images they want. "The EOS 60D has been designed to offer the image-capture and the Full HD video features customers are looking for as they continue to expand their photographic skills. The exciting new features of the EOS 60D make using a DSLR camera more attractive and easier than ever before. We want everyone to experience the great image quality a Canon DSLR can offer with features and functions that they will appreciate and use," stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. Exciting EOS "Firsts" For the first time in the history of the Canon EOS System, the new 60D camera features a large Vari-Angle 3-inch Clear View LCD screen with 1,040,000 dot/VGA resolution plus anti-reflective and smudge-resistant coatings for bright clear viewing from any angle. The new LCD screen is ideal for composing low-angle or overhead shots whether capturing still images or Full HD video clips. Another first for the EOS system is the EOS 60D camera's new Multi-Control Dial, which places a Multi-Controller and Set button inside the Quick Control Dial. This new control layout streamlines camera navigation for vertical as well as horizontal shooting and enables a cleaner camera design. Responding to customer requests, the EOS 60D also features a locking mode dial, which makes camera operation more secure by preventing inadvertent changes to the photographer's selected shooting mode. While the photography mantra of "get it right in the camera" still stands true, Canon's new EOS 60D gives advanced photographers an edge with new in-camera features that enable users to enhance their images without a computer even after they have been shot. For the first time ever in an EOS camera, the EOS 60D features in-camera processing of RAW image files, new reduced resolution image copies, and post-processing creative image filters for exceptional flexibility in digital image rendering. * In-camera RAW image processing features include Picture Style, White Balance (WB), Color Space, High-ISO Noise Reduction, Peripheral Illumination Correction, linear distortion correction and chromatic aberration correction. These powerful in-camera editing tools will allow photographers in the field to produce optimized images on the spot and generate JPEG files at various resolution and compression settings for immediate sharing, without affecting the original RAW data. * Another great new feature for photographers-on-the-go is Canon's new image resizing function. After capturing full resolution or smaller JPEG images, the camera can generate lower-resolution copies using menu commands. New lower-resolution settings include 1920 x 1280 for optimal display on HD televisions, or 720 x 480, ideal for immediate uploading to social networking and other photo sharing web sites. The original high resolution files remain unaffected by the image resizing function. * Available for the first time in an EOS camera are Canon's new creative image filters. Familiar to Canon PowerShot users, these fun photo effects help make a great image more dynamic, even after it has been shot. Canon provides four artistic filters that allow photographers to capture an image and then create and manipulate a digital copy of it. o The Soft Focus effect filter helps dramatize an image and smooth over shiny reflections. o The Grainy Black and White filter can give a different nostalgic perspective to any shot. o Canon's "Toy Camera" filter deliberately adds vignetting and color shift for a creative option when shooting a colorful scene. o Users can also make a scene appear like a small-scale model, simulating the look from a tilt-shift lens, with Canon's Miniature Effect filter, great when shooting any scene from a high vantage point. Each of these filters can be applied to a captured still image in-camera to create a second "filtered" JPEG version, leaving the original RAW or JPEG file unaffected. Another addition to the camera's Live View function is Canon's new Aspect Ratio feature whereby the Live View screen can display cropping lines for 1:1, 16:9 or 4:3 aspect ratios in addition to the standard 3:2 ratio. These cropping lines make it easier to compose images in Live View, and they can help to expedite printing when using Canon's supplied Digital Photo Professional software. Custom aspect ratios are also applied to JPEG images whether captured directly in-camera or created with the EOS 60D's in-camera RAW image processing function. EOS HD Video: Continuing the Video Paradigm Shift In addition to its new still capture capabilities, the EOS 60D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing. The EOS 60D builds upon the great video capabilities Canon has introduced in recent DSLR cameras and packs them into a camera photo enthusiasts will love. Full HD video capture, along with selectable cinematic frame rates for both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards, will help the EOS 60D to be the camera of choice among film students and photography students alike. The new EOS 60D camera's movie mode also includes manual controls for exposure as well as manual audio levels in 64 steps, much like the latest firmware update for the EOS 5D Mark II HD-SLR. Users can set audio levels on the rear menu screen before shooting begins; once recording is initialized, audio adjustments are not possible. In addition, Canon has added an electronic Wind Filter to the audio controls within the movie shooting menu. Canon has also included an in-camera movie editing feature, allowing users to shorten a video file by clipping segments from the beginning or the end, removing unwanted portions without outside software. This feature can dramatically accelerate workflow by reducing the time needed to upload video clips to a computer for further editing and assembly. The EOS 60D also includes Canon's Movie Crop mode, which allows users to achieve 7x magnification when shooting SD video. Unlike the digital zoom feature found in many compact digital cameras, Canon's Movie Crop mode crops the image directly from the CMOS sensor at full SD resolution to preserve image quality and still provide additional telephoto power. Providing access to the right lens for any given shooting scenario, the EOS 60D DSLR camera is compatible with more than 60 Canon EF and EF-S lenses. The EOS 60D DSLR's video functions are supported by two key proprietary Canon technologies, a DIGIC 4 Imaging Processor and a large APS-C–sized CMOS sensor capturing fine detail and color with an amazing cinematic depth of field. The Canon EOS 60D allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. The EOS 60D Digital SLR camera will record Full HD at 1920 x 1080 pixels in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); 720p HD recording at 50p or 60p (59.94) and SD video at frame rates of 50p or 60p (59.94). The EOS 60D features a dedicated button to initiate live view for both video and still shooting. Once engaged, the same dedicated button will start and stop video recording. Valuable Additional Features Along with the adjustable LCD screen, the new EOS 60D DSLR features a class-leading 18-megapixel Canon CMOS sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and Canon's exclusive iFCL Metering System (Intelligent Focus, Color, Luminance) giving it the power of a professional-level camera. Capable of capturing fast action, the 60D DSLR can shoot full resolution still images up to 5.3-frames per second (fps). The EOS 60D records its images and video clips to the photographer's choice of SD, SDHC or new extended capacity SDXC memory cards. The 9-point AF system on the new EOS 60D features f/5.6-sensitive cross-type focusing on all nine focusing points. Like the EOS 7D, the center AF point is a hybrid of standard cross-type and special diagonally-shaped "X" cross, with high-precision sensitivity for f/2.8 and larger aperture lenses. Complementing the AF system, Canon's iFCL metering system, identical to that on the EOS 7D and Rebel T2i, takes color information into account and includes a 63-zone dual-layer metering sensor that reads both illumination and color for consistent results in all lighting conditions, keeping exposure levels stable from shot to shot, even as the light source changes. Photographers will enjoy shooting in low light thanks to the EOS 60D DSLR's wide ISO range from 100-6400 (adjustable in 1/3-step increments from ISO 100-6400 and expandable to 12,800) allowing it to capture beautiful images without flash during family milestone events such as wedding ceremonies, while still being equipped with a built-in pop-up flash for shooting the cake cutting ceremony and reception. The EOS 60D's pop-up flash features a built-in Integrated Speedlite Transmitter for control of up to two groups of off-camera EOS Speedlites without the need for an external transmitter, providing an economical solution for multi-flash shoots. Making accurate composition more convenient, the EOS 60D's optical viewfinder provides 96 percent coverage along with Canon's built-in single axis Electronic Level Display, which utilizes the exposure level scale below the picture area to let the photographer know when the camera is level. The Electronic Level Display is also visible on the camera's LCD screen in both Live View and Movie modes. An artificial horizon display illustrates horizontal roll, allowing the photographer to know when the camera is in a fixed level position. The entire camera has been durability-tested to 100,000 exposures making the EOS 60D a reliable as well as a powerful imaging tool. Pricing and Availability The Canon EOS 60D Digital SLR camera is scheduled to be delivered to U.S. dealers toward the end of September, and will be sold in a body-only configuration at an estimated retail price of $1,099.00i. It will also be offered in a kit version with Canon's EF-S 18-135mm f/3.5-5.6 IS USM zoom lens at an estimated retail price of $1,399.00ii. The Canon BG-E9 battery grip is scheduled to be available toward the end of September and sell at an estimated retail price of $270.00 Thu, 26 Aug 2010 00:34:51 -0500 Nikon D3100 D-SLR Camera Unveiled http://www.dslrcamerasreviews.com/a-28.html Nikon today introduced the Nikon D3100 D-SLR camera offering 14.2-megapixel with new features such as an enhanced Guide Mode that makes it easy to unleash creative potential and capture memories with still images and full HD video. Like having a personal photo tutor at your fingertips, this unique feature provides a simple graphical interface on the camera’s LCD that guides users by suggesting and/or adjusting camera settings to achieve the desired end result images. The D3100 is also the world’s first D-SLR to introduce full time auto focus (AF) in Live View and D-Movie mode to effortlessly achieve the critical focus needed when shooting Full HD 1080p video. Packed into the compact and lightweight body of the Nikon D3100 camera is a host of advanced Nikon technologies, such as the new EXPEED 2TM image processing engine. EXPEED 2TM in conjunction with Nikon’s new 14.2-megapixel DX-format CMOS sensor is the driving force behind the enhanced performance and rich image quality. Ready to go wherever life leads, the D3100 features split-second shutter response and a blazing fast 11-point AF system to help ensure tack-sharp images. For shooting in challenging lighting conditions, ISO 3200 (expandable to 12,800) enables versatility in environments such as indoors or in the evening hours. “People are stepping up to digital SLR cameras – consumers are embracing the enhanced performance, amazing image quality and options for lenses and accessories that only a D-SLR can provide,” said Lisa Osorio, general manager of marketing at Nikon Inc. “The D3100 is a camera that makes it easy to take beautiful pictures and will grow with the user, unlocking their potential and assisting in creating lasting memories or amazing art.“ Get Inspired With The Guide Mode Whether new to D-SLR photography or exploring new shooting techniques, the D3100 features an enhanced Guide Mode with an easy-to-use interface to help customers build confidence in using their D-SLR through on-demand, step-by-step assistance. A stand out feature in the D3100’s predecessor, the D3000, the Guide Mode is easily accessed through the Mode Dial on the top of the camera. This enhanced help function now features sample assist images that change with camera settings to inspire consumers to achieve a desired look and feel to their images, while guiding through easy to understand photographic techniques. For example, to instill the majestic appearance of moving water, users can select “show water flowing” from the Guide Mode, and simply follow the prompts to create the ideal camera settings to capture an amazing image. By following the guidance on the bright 3-inch LCD screen, users can achieve professional looking photographs to be proud of. Whether looking to soften backgrounds, freeze a moment in time or convey motion, the Guide Mode assists users in exploring effective picture taking solutions at their own pace to make capturing great pictures even easier and enjoyable. Full HD Video Made Easy with D-Movie The Nikon D3100 D-SLR allows users to capture stunning Full HD, 1080p resolution (1920x1080) movies. Users can record cinematic quality 24p video clips, or shoot at 24 or 30 frames-per-second at 720p, ideal for sharing online. By incorporating versatile NIKKOR lenses to the equation, users can now create a variety of photography effects to video such as isolating subjects with a shallow depth of field, and recording in low light conditions. NIKKOR lenses also deliver the sharpness needed for HD video, and Nikon’s Vibration Reduction (VR) II technology helps to eliminate camera shake. While Nikon pioneered HD video in a D-SLR, Nikon is now introducing another industry first to enrich the user experience: The D3100 is the first D-SLR to implement full time AF for D-Movie video shooting and while in Live View mode. Using contrast based AF, the D3100 automatically focuses on subjects when Live View is activated to aid shooting when using the LCD. The D3100 camera also uses Face Detection technology to lock focus on up to 35 human faces, a feat not even accomplished with consumer camcorders. To further simplify movie shooting, Live View is activated at a single flick of a dedicated switch, and HD video recording is achieved by a simple press of a button. Sharing and editing video clips is also easier than ever, as the D3100 records movies in the versatile H.264 AVCHD codec (.mov file). While playing movies back in the camera, users are able to edit recorded videos by clipping footage from the beginning or end of a movie. High Definition movies and stills can be shared with family and friends on an HD television via HDMI output, and control slideshows and video using the HDMI Consumer Electronics Control (CEC) interface that is a part of most modern remote controls from HDTV manufacturers. Additionally, the D3100 is compatible with the new SDXC memory card format to store large amounts of photo and video data so users can shoot multiple scenes without interruption. Renowned Nikon Technology The D3100 leverages proven Nikon technologies to create the most positive picture taking experience for consumers of any skill level. With its new 14.2-megapixel CMOS image sensor and Nikon’s new EXPEED 2TM image processing system, the D3100 delivers exceptional image quality with low noise. The new EXPEED 2TM image-processing engine enhances camera performance and helps to ensure brilliant image quality while managing color, contrast, exposure, noise and speed for optimal results. The D3100’s normal ISO range extends from ISO 100 to 3200, allowing users to capture stunning images, even in low light environments. Additionally, the D3100’s ISO range can expand to a Hi-2 setting of ISO 12,800, furthering the opportunities for low-light shots that other cameras miss. Other exclusive Nikon technologies include the Active D-Lighting system, which automatically rescues dark or backlit images to help create flattering images with even tones. This is especially useful when photographing subjects that are backlit by the sun or lights to provide an even exposure. What’s more, Nikon’s Scene Recognition system draws upon the 420-pixel RGB color 3D Matrix Meter for outstanding exposures under a variety of lighting conditions by integrating a database of tens of thousands of sample images. The result is a camera intelligent enough to recognize when photographing a specific scene such as a portrait or landscape and automatically choose the proper camera settings. To make taking great pictures even easier, the D3100 elevates Nikon COOLPIX technology and incorporates an Auto Scene Selector feature in Live View. This innovative function automatically selects the best scene mode to match shooting conditions. When engaged, the camera will automatically recognize when shooting a lush landscape or fast action sports and adjust the camera settings to create an astounding image. Six preset scene modes can also be accessed with the Mode Dial on top of the camera to overcome many common shooting challenges. Compact Design. Huge Performance. With comfortable yet intelligent ergonomics, the D3100 packs powerful technology that’s easy to use into a compact form factor. The advanced 11-point autofocus system of the D3100 makes it easy to find and focus on a subject through an enhanced viewfinder design with new “hollow” focus points to give a clear view of the subject. In the playing field or the backyard, the benefits of Nikon’s advanced 3D Subject Tracking become clear, as the camera continuously focuses on fast moving subjects throughout the frame, resulting in crisp, clear action shots. Additionally, the D3100 offers split-second shutter response, eliminating the frustration of shutter lag—the annoying delay that ruins so many pictures. With the ability to capture images at up to three fps, users never miss a moment. Also added to the D3100 is a Quiet Shutter Release mode, which substantially reduces the sound of the mirror while shooting. Quickly accessed by selecting “Q” on the release mode dial, this feature is ideal for the photographer who wishes to remain unobtrusive, for example during quiet ceremonies or photographing a sleeping baby. Nikon also empowers users to prepare their photos for sharing quickly and easily using Nikon’s extensive in-camera Retouch Menu, which easily applies a variety of fun and dramatic effects to images without a computer. Fun and easy-to-use adjustments include a miniature effect to photos, image overlay, color outline and softening filters for flattering portraits and realistic skin tones. The D3100 also incorporates Nikon’s Integrated Dust Reduction System, which offers a comprehensive solution that combats the accumulation of image-degrading dust from the camera’s image sensor. The shutter is tested to 100,000 cycles for maximum durability, ensuring years of captured memories. Gateway to Legendary NIKKOR Optics and Accessories Nikon has also introduced the ideal companion to the D3100, the brand new AF-S DX NIKKOR 55-300mm VR lens, which gives users super-telephoto zoom capability for an affordable price. This is a perfect complementary lens when combined with the AF-S 18-55mm VR kit lens, and is great for capturing images of sports and wildlife around town or on vacation. Photographers can also appreciate the D3100’s system expandability, as it is compatible with more than 40 legendary NIKKOR AF-S interchangeable lenses. While the D3100 offers a versatile built-in flash, the camera also operates with Nikon’s Creative Lighting System and is capable of Advanced Wireless Lighting when using the SB-900 Speedlight or the SU-800 Wireless Commander. The D3100 D-SLR’s design also supports Eye-Fi memory card functionality, enabling the convenient wireless transfer of images from the camera to a computer when using Eye-Fi memory cards. Also included is a new version of Nikon’s powerful image editing application, View NX2. The latest edition of this software allows users to organize and edit both photos and video files easily. Nikon D3100 Price and Availability The D3100 D-SLR camera outfit, including the versatile AF-S NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens, is scheduled to be available at Nikon Authorized dealers beginning in mid September 2010, at an estimated selling price of $699.95.* The AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR lens will be available starting in September for $399.95*. For more information, please visit www.nikonusa.com. Thu, 19 Aug 2010 01:38:37 -0500 Canon EOS 7D Studio Version with WFT-E5A Unveiled http://www.dslrcamerasreviews.com/a-27.html Canon has taken the wraps off of the Canon EOS 7D Studio Version DSLR Camera with WFT-E5A. The bundle is ideal for professional school and event photographers which features four levels of "locking" camera controls for studio environments. In addition to the "locking" feature on the new EOS 7D Studio Version, the Company is also introducing a Canon Barcode Solution, which links customer data directly with the image file so that it can be maintained throughout the entire workflow process, ideal for school photographers, forensic and medical photo workflows. Canon's new "Locking" EOS 7D Studio Version DSLR allows administrators to disable unwanted features and settings thus providing professional studio operators the comfort of knowing the end result will be both reliable and repeatable. The camera has four different "lock" levels allowing administrators to enable the appropriate level of camera functionality for any studio operation. Custom functionality management is also achieved through each level by unlocking individual features according to operator-specific needs. This complete level of control is guarded by a daily password preventing anyone with a different vision from changing the camera settings and disrupting the overall project and workflow. "We know professional photographers are constantly searching for ways to simplify the workflow process," said Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. "With the addition of the new EOS 7D Studio Version camera, professionals and business owners can be confident that data management will be streamlined and they can focus on the current task at hand." The new Canon Barcode Solution for the new EOS 7D Studio Version cameras helps to automate the data management required when shooting, processing and delivering images for school photoshoots and other large scale events as well as organizing medical images while maintaining patient anonymity. Once the barcode option is enabled, customer, organizational, patient and/or other data will be embedded directly into the image file's EXIF data by scanning a barcode for easy identification when reviewing the completed work. While shooting, the actual reading of barcodes can be easily managed and, based upon each person's workflow, the critical task of file management is accomplished with less risk of error. Upon completion, a visual confirmation will appear on the camera's rear LCD screen. The EOS 7D Studio Version kit includes Canon's WFT-E5A unit, which along with an optional barcode reader can scan and seamlessly manage image and customer data through a "wired connection". A wireless system configuration is also possible through Canon's BU-30 Bluetooth adapter further adding to the system's convenience and functionality. Existing WFT-E5A units require a firmware update to work with Barcode functionality. This update will need to be done at a Canon USA Factory Service location if the customer wishes to use a previously purchased WFT-E5A unit. If the customer chooses this option, the ability to read and embed GPS (Global Positioning System) data will no longer function. Coupled with a new "Locking" EOS 7D Studio Version Digital SLR camera, photographic operations both large and small can ensure reliability and efficient workflow for whomever is using the camera. The new EOS 7DSV (Studio Version) Barcode Kit (EOS 7DSV and WFT-E5A with firmware change) will carry an estimated selling price of $ $2599. The EOS 7DSV (Studio Version) Body Only will carry an estimated selling price of $1829. Both are available by special order through select Canon authorized dealers. The following Barcode Scanners are compatible; Honeywell 3800, Honeywell 3820, for scanning via bluetooth and Honeywell 4600, for scanning 1D and 2D barcodes. All inquiries and questions regarding Canon's EOS 7D Studio Version DSLR or Canon's Barcode Solution can be directed to ProSolutions@cusa.canon.com. Tue, 17 Aug 2010 13:34:13 -0500 Nikon AF-S NIKKOR 200-400mm f/4G ED VR II Lens Unveiled http://www.dslrcamerasreviews.com/a-26.html Nikon today launched the new Nikon AF-S NIKKOR 200-400mm f/4G ED VR II lens which delivers optical excellence and stunning image quality for professional photographers. Ideal for bringing to life exquisite detail for sports, nature and travel photography, this new lens affords a constant maximum aperture of f/4 and rugged construction for maximum versatility. Continued refinements and new technologies such as Vibration Reduction (VR) II, Nano Crystal Coat, and optimized autofocus (AF) modes enhance functionality and improve performance for discerning FX and DX-format photographers. “The AF-S NIKKOR 200-400mm lens builds upon a proven design for professional level optics by incorporating the latest Nikon lens technologies to give photographers the edge in the field, and the ability to capture the most intricate of details with extraordinary fidelity,” said Lisa Osorio, general manager of Marketing at Nikon Inc. “As both camera capabilities and the roles of photographers expand, NIKKOR enhancements will continue to meet demands and exceed expectations to remain the pinnacle of optical excellence for all types of photographers.” Whether photographing the decisive play at home plate or predators of the Serengeti, the 200-400mm f/4 lens is an essential tool for photographers who require long focal lengths and maximum versatility without sacrificing image quality. The 200-400mm lens benefits from the addition of Nikon’s proprietary Nano Crystal Coat to reduce instances of ghosting and flaring. The result is unparalleled clarity and sharpness in challenging lighting environments typical to sports venues or harsh sunlight. Additionally, this new NIKKOR lens features Nikon VR II image stabilization, which is specifically engineered for each lens for maximum performance. VR II is a valuable asset to those shooting photos or HD video, as image blur introduced by camera shake and telephoto magnification is significantly reduced. Users are able to shoot up to four stops* slower than otherwise possible, overcoming many of the challenges of handheld shooting with such extreme focal lengths. VR functionality is further augmented with Automatic Panning Detection and an Active VR Mode to help compensate for movement from an unstable position such as a moving vehicle. Additionally, VR is always engaged when shooting in the D-Movie mode on select Nikon D-SLRs, helping to stabilize HD video capture. The new 200-400mm f/4 lens features a host of professional focusing features to further enhance functionality. Photographers can now select from three focus modes to match shooting conditions, including manual mode (M) and autofocus with manual override (M/A) mode, and new A/M mode which is used to avoid cancelling the AF setting by unintentionally moving the focus ring while shooting. The M/A and A/M focus modes enhance AF control with fast, secure switching from automatic and manual focus to adapt to personal shooting preference and techniques. Additionally, photographers can activate the AF Recall Mode at the press of a button that allows for instant return to a predetermined point of focus to confidently capture anticipated shots. This professional lens is constructed of die-cast magnesium for maximum durability and is sealed to resist dust and moisture, with protective Meniscus glass to safeguard the lens’ front element. The optical formula features four Extra-low Dispersion (ED) glass elements for superior sharpness, color and image quality, while minimizing chromatic aberration. The lens also features Nikon’s exclusive Silent Wave Motor (SWM) technology, which enables high-speed autofocus performance with exceptional accuracy and powerful, super-quiet operation. Nikon's Super Integrated Coating further suppresses flare and offers superior color consistency throughout the frame. Price and Availability The AF-S NIKKOR 200-400mm f/4G ED VR II lens is scheduled to be available at Nikon authorized dealers in late May 2010 with an estimated selling price of $6,999.95**. For more information, please visit www.nikonusa.com. Tue, 27 Apr 2010 00:13:56 -0500 PENTAX Kx DSLR Now in Blue, Orange, Green, and Purple http://www.dslrcamerasreviews.com/a-25.html PENTAX today announced that the K-x digital SLR is now available exclusively for pre-order on www.pentaxwebstore.com in limited edition bright blue, orange, green and purple. Each fresh new color comes in a kit with an 18-55mm lens and an array of advanced features including Live View, HD video and photographic performance that challenges higher class models. Since the popular PENTAX K-x first shipped in October 2009, the camera has received high acclaim as one of the most affordable and well-equipped digital SLRs on the market today. Priced at $649.95 USD (for body with DA L 18-55mm lens), the extremely compact and lightweight PENTAX K-x offers one-handed shooting design and simple, easy-to-use operation making it perfect for users stepping up from a point and shoot digital camera to their first digital SLR. The PENTAX K-x offers photographic performance that challenges higher class DSLR models and offers several features that set this camera apart in the entry-level category: • High resolution 12.4 megapixel CMOS image sensor features sensor-shift Shake Reduction for stabilized image and video capture up to 4 stops max. • Large 2.7 inch LCD features Live View with Face Detection autofocus (up to 16 faces). • Widescreen HD video capture in full 720p resolution (1280x720) at 24 FPS cinematic framerate, using any PENTAX 35mm lens. • True High Dynamic Range (HDR) image capture blends 3 bracketed images into a single picture with outstanding shadow, highlight, and midrange detail. • Fast 4.7 FPS capture speed and 1/6000 second maximum shutter speeds are possible with the PENTAX PRIME II image processing engine. • PENTAX Auto Picture and scene modes for almost any situation to help new photographers learn DSLR photography. • Captures up to 1900 shots with universally available, easy-to-find AA lithium batteries (also compatible with AA NiMH rechargeable and alkaline batteries). All eight PENTAX K-x body colors are now available for pre-order exclusively at www.pentaxwebstore.com. Complete information is available here: http://www.pentaximaging.com/about-us.aspx?p=press Product images are available here: http://www.pentaximaging.com/pressfiles.aspx An informational video is available here: www.youtube.com/pentaxian1 Fri, 23 Apr 2010 12:26:04 -0500 Pentax Kx $50 Rebate Expires 2/15/2010 http://www.dslrcamerasreviews.com/a-24.html PENTAX has announced a $50 INSTANT REBATE PROGRAM effective until February 15, 2010 on K-x kit configurations. The popular PENTAX K-x features 12 megapixels, the PENTAX PRIME II engine processor, HD Video, Live View and Shake Reduction that works with every PENTAX lens ever produced. Consumers who purchase these K-x kits during this time period will benefit from instant savings on regular MAP/estimated retail pricing as follows: PENTAXK-x KIT BEFORE REBATE* LIMITED TIMEINSTANT REBATE AFTER REBATE K-x w/18-55mm Lens Kit$649.95 $50.00 $599.95 K-x w/18-55mm and 50-200mm Lens Kit$749.95 $50.00 $699.95 K-x w/18-55mm and 55-300mm Lens Kit$849.95 $50.00 $799.95 *The instant rebates are valid only for a limited time for purchases made on the listed camera configurations from February 7 – February 15, 2010. All K-x camera colors qualify for the instant rebate The PENTAX INSTANT REBATE PROGRAM offers several consumer advantages, including no need to submit or track claims or wait several weeks for a rebate check. More information about the program, the products and where to buy is available at: www.pentaximaging.com Tue, 09 Feb 2010 00:08:56 -0600 Canon T2i DSLR Camera Unveiled http://www.dslrcamerasreviews.com/a-23.html Canon has unveiled its new top of the line model for the Company's highly Rebel DSLR line in the Canon EOS Rebel T2i Digital SLR camera. Today's photo enthusiast is looking for a camera that will grow with them as they learn, and that is a perfect description of the new EOS Rebel T2i Digital SLR camera. Retaining all of the traditional characteristics that have made the EOS Rebel series beloved by entry-level photographers and an industry best-seller, the new Rebel T2i succeeds in bridging the gap between an entry-level camera and a true pro-sumer camera. The Rebel T2i Digital SLR camera includes a variety of new features for photographic assignments as varied as grabbing that action shot from the sidelines or creating memorable family portraits, including: 3.7 fps shooting, an ISO range of 100-6400 (expandable to 12,800), a 63-zone Dual Layer Metering System, and Canon's DIGIC 4 Imaging Processor. There are some moments in our lives where video helps capture the moment better than a still image, and the Rebel T2i offers the best of both worlds with Full HD 1080p video as well as 18-megapixel still images. The Rebel T2i DSLR continues Canon's industry-leading trend in Full HD DSLR video capture with manual exposure control, selectable frame rates and a new external microphone input. There is also a new feature for standard definition recording, Movie Crop, which provides an approximate 7x additional zoom with no loss of image quality when shooting SD quality video. "There is no question that HD video is the biggest trend in DSLR technology and because of this we are seeing the creativity of still photographers transferring to the moving image. Still photographers are using the various lenses and accessories they are already familiar with to create amazing video footage," stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. "Taking that HD video quality and putting it in the hands of entry-level photographers with cameras like our new EOS Rebel T2i, we are seeing a new generation of creative digital artists emerge." Lights, Rebel, Action – EOS HD Video Canon's EOS HD video capture has helped spark a major movement in digital imaging, empowering still photographers with the ability to experiment, learn and capture stunning high-definition video through a variety of creative lenses. Continuing this imaging revolution, the new EOS Rebel T2i puts entry-level photographers on the frontline equipped with all the latest EOS HD video features including full HD video at 1920x1080 resolution, selectable frame rates, full manual exposure control and the visual options of interchangeable lenses. Manual video exposure control provides novice filmmakers with the image control they are accustomed to in a still camera, all while shooting professional-level cinematic video. Professional photographers utilize creative lighting, adjustable depth-of-field and a variety of lenses to create powerful still images and video footage, and these are exactly the tools that the new Rebel T2i gives to budding photo and video enthusiasts. Adding a new professional-level feature for EOS cameras, the Rebel T2i includes an Auto ISO function that works in all Creative Zone exposure modes including Manual where users can set a limit to the highest ISO the camera will use, enabling them to retain the lighting and look they desire for a scene. By setting an Auto ISO range, videographers can retain dark shadow areas and avoid blowing out highlight areas in a scene while still retaining the benefit of automatic ISO adjustments. The Rebel T2i DSLR captures video in both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards at selectable frame rates including Full HD 1920 x 1080 at 30 (29.97), 25 or 24 (23.976) fps, and HD 1280 x 720 or Standard Definition 640 x 480 quality video, at 60 (59.94) or 50 fps. For easier video recording operation and familiar functionality for beginners, the Rebel T2i's autofocus can be operated before or during video recording by pressing the shutter button half-way down in video mode. Another feature debuting in the Rebel T2i is Canon's new Movie Crop mode, where the user can achieve 7x magnification when shooting SD video for a significantly increased "telephoto" effect. Unlike the digital zoom feature found in many compact digital cameras, Canon's new Movie Crop mode actually crops the image directly from the CMOS sensor at full SD resolution to preserve maximum image quality and provide additional zoom power. The new Movie Crop feature is especially helpful for achieving extra full resolution zoom power when filming youth sports, such as a child running to the furthest end of a field. For better sound quality when shooting video, the Rebel T2i DSLR includes an external stereo microphone jack, a first for an EOS Rebel model, in addition to its built-in monaural microphone. These audio and video features supplement a tremendous range of additional must-have video features in an entry-level Digital SLR camera. For enhanced viewing pleasure and easy video sharing at home, the HDMI video-out capability of the Rebel T2i DSLR includes a new Consumer Electronics Control (CEC) compatibility which allows users to play back still or video files on a CEC-compliant HDTV, using the TV remote to control the camera when connected via HDMI interface. Camera Feature Set The EOS Rebel T2i DSLR features a newly developed 18-million-pixel Canon CMOS imaging sensor providing outstanding resolution and light sensitivity for amazing poster-sized prints with fine detail and stunning color. The camera exhibits exceptional low-noise performance incorporating many of the same technologies used to reduce noise in professional cameras such as the EOS 7D. The Rebel T2i camera's basic ISO range is an amazing 100~6400, and via a Custom Function, it can be extended to ISO 12,800. The outstanding ISO range combined with its noise reduction technology allows the Rebel T2i to capture outstanding low-light pictures at events such as candlelit birthday celebrations or recitals where flash photography may be prohibited. The camera provides 3.7 fps continuous shooting for still photos, making it the fastest shooting Rebel model to date and enabling users to capture that great image of a little leaguer's first swing. The camera features Canon's proprietary iFCL 63-zone dual-layer metering system offering intelligent Evaluative metering with much finer segmentation than any previous EOS Rebel model. The new Rebel T2i also has an expanded ± 5 EV exposure compensation range allowing for much more versatility when shooting in extremely bright or dark environments; or when shooting HDR (high dynamic range) images. The Rebel T2i DSLR includes a number of professional-level user-selectable Canon image processing features to enhance the image quality of in-camera JPEG files, and to tag RAW images for processing later through Canon's Digital Photo Professional software (included with the camera). These features include Canon's Auto Lighting Optimizer to enhance shadow detail and add contrast to "flat" scenes, Highlight Tone Priority adding up to one stop of detail in bright highlight areas, Peripheral Illumination Correction for automatic correction of vignetting, High ISO Noise Reduction with four user-selectable settings, and Long Exposure Noise Reduction applied to exposures one second or longer. These Canon image enhancements provide new photographers with professional quality automatic image correction on JPEG files right out of the camera. The EOS Rebel T2i digital camera includes a new enhanced 3-inch LCD monitor featuring 1.04 million dots with a wide 3:2 aspect ratio, wider than previous EOS models. The Rebel T2i camera's LCD monitor can display a full-screen video image utilizing the entire screen during playback. For maximum storage capacity the new EOS Rebel T2i Digital SLR camera is the first EOS model to support SDXC memory cards. With all the new and exciting features of the EOS Rebel T2i, the Rebel series continues to provide great Canon features such as Live View, a built-in pop-up flash, and the EOS integrated cleaning system, as well as compatibility with Canon EX-series Speedlites and Canon EF and EF-S lenses allowing users to fully explore multiple creative photographic possibilities. The new EOS Rebel T2i Digital SLR camera is also compatible with Canon's new BG-E8 battery grip and new RC-6 wireless remote control for both still images and video capture. Pricing and Availability The Canon EOS Rebel T2i Digital SLR camera is scheduled to be delivered to U.S. dealers in early March, and will be sold in a body-only configuration at an estimated retail price of $799.99. It will also be offered in a kit version with Canon's EF-S 18-55mm f/3.5-5.6 IS zoom lens at an estimated retail price of $899.99. Mon, 08 Feb 2010 13:14:32 -0600 Olympus M.ZUIKO DIGITAL ED 9-18mm and M.ZUIKO DIGITAL ED 14-150mm Lenses Unveiled http://www.dslrcamerasreviews.com/a-22.html Olympus has unveiled the M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 (35mm equivalent 18–36mm) and M.ZUIKO DIGITAL ED 14-150mm F4.0-5.6 (35mm equivalent 28–300mm). Designed to maximize the performance advantages of the Micro Four Thirds System, the new lenses are significantly lighter and more compact – easily fitting in a jacket pocket. The new lenses, made with ED (extra-low dispersion) glass for superior image quality, complement the design of the PEN® cameras, including the powerfully simple E-PL1, also announced today, making it the all-in-one package for consumers with any skill level, including those who are new to photography. The Micro Four Thirds System standard meets the telecentric requirements of dedicated digital design. Light rays strike the imaging element nearly head-on for optimum edge-to-edge image reproduction. It also enables much more compact design than the Four Thirds System standard (or other interchangeable lens systems) because it reduces the outer diameter of the lens mount by 6mm, and the distance from the lens mount to the sensor (the flange back distance) by approximately half. As a result, M.ZUIKO DIGITAL Micro Four Thirds System lenses offer uncompromising professional quality for capturing both still-images and High-Definition (HD) videos, and the lenses are exceptionally compact to make capturing your life more fun. The super wide-angle M.ZUIKO DIGITAL ED 9–18mm F4.0–5.6 zoom lens (35mm equivalent 18–36mm) offers a 100 percent angle of view, and overturns the rule that super wide-angle zooms have to be big and heavy. With a length of just 49mm and a weight of just 155g, it is less than half the size and 60 percent of the weight of the ZUIKO DIGITAL ED 9–18mm F4.0–5.6. With its wide angle of view, including background scenery in group photos is a snap, and it can be used to create unique images with a sense of dramatically exaggerated perspective. The high-power wide-angle to telephoto M.ZUIKO DIGITAL ED 14–150mm F4.0–5.6 zoom lens is 65 percent smaller and 70 percent lighter than the comparable 10x ZUIKO DIGITAL ED 18–180mm F3.5–6.3, making it ideal for everything from portraits and indoor scenes to sports and landscape photography. By maximizing the advantages of the Micro Four Thirds System design, compact size, low weight and amazing image quality, the two new lenses significantly expand the photographic potential of the system. The inner focusing mechanism uses a light, compact, single-element unit to enable exceptionally fast, quiet autofocusing for smooth, superior operating ease during still and video capture. The manual focusing mechanism is designed to offer a responsive feel and precise operation, enabling you an affordable, high-quality means to capture your life in stills or HD videos. Both lenses offer quieter and more responsive AF performance, and provide professional image quality for capturing amazing still images and videos. They are compatible with all Micro Four Thirds System Olympus PEN cameras, and all other current and future cameras that comply with the Micro Four Thirds System standard. When mounted on an Olympus PEN camera, the lenses are stabilized thanks to the camera’s in-body Image Stabilization system and offer effective shake compensation at all focal lengths. AVAILABILITY The M.ZUIKO DIGITAL ED 9–18mm F4.0–5.6 will be available in early May, and the M.ZUIKO DIGITAL ED 14–150mm F4.0–5.6 will be available in early June 2010. U.S. Pricing / Product Configurations M.ZUIKO DIGITAL ED 9–18mm F4.0–5.6 Estimated Street Price: $699.99 M.ZUIKO DIGITAL ED 14–150mm F4.0–5.6 Estimated Street Price: $599.99 Wed, 03 Feb 2010 13:39:54 -0600 Canon WFT-E2 II A and WFT-E4 II A Wireless File Transmitter for EOS-1D Mark IV, EOS 5D Mark II and EOS 7D http://www.dslrcamerasreviews.com/a-21.html Canon has unveiled the new WFT-E2 II A Wireless File Transmitter, WFT-E4 II A Wireless File Transmitter and WFT-E5A Wireless File Transmitter for the EOS-1D Mark IV, EOS 5D Mark II and EOS 7D, respectively, provide professional photographers with a range of innovative wireless connectivity options for all photographic disciplines. For example, by coupling each compatible camera with one of the new WFT units, professionals can fire up to 10 cameras simultaneously with Canon's new Camera Linking function, which is perfect for getting that split-second shot from multiple angles. The new WFT units also enable the roaming photojournalist or back-country nature photographer to geotag images easily through hard-wired or Bluetooth-connected GPS devices and append coordinates to the image's EXIF data. Additionally, reliable file transfer options such as FTP Mode provide wedding and event photographers with the ability to send images in real-time to a computer for instant prints or projection onto event screens while allowing the photographer to operate wirelessly. "The high-tech world of digital photography has presented professional photographers with new methods for image capture and delivery, streamlining workflows and providing digital delivery from across a room, or across the world. The level of connection and control offered by our new WFT units along with their enhanced ease-of-use will change the methods and speed by which professionals deliver images and conduct business," said Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. 802.11 a/b/g Compatible All three new Canon WFT units provide a wide range of different wireless compatibility options, as well as a wired option to ensure the unit will sync into any professional workflow. For this new series of professional WFT units, Canon has added IEEE802.11a connectivity, the preferred wireless networking transmission method for commercial and corporate environments, offering reliable data transfer rates, strong resistance to electronic interference, and worldwide acceptance in heavy bandwidth environments, particularly within sporting arenas, entertainment venues and retail establishments. WPS (Wi-Fi Protected Setup) To help make connecting the WFT unit to a wireless network even easier than before, Canon has added a Wi-Fi Protected Setup (WPS) option for a one-touch connection to local wireless networks. This easy option helps ensure that photographers not familiar with wireless LAN setups can just touch a button on their WPS-compatible wireless router to connect it to their camera. FTP transfer mode The WFT units provide access to the camera from anywhere in the world via the internet as if it were an FTP site and can allow a photo editor download images with ease. Canon's FTP connection is a direct file transfer mode that allows for the instant transfer of files across a local network or across the world via the internet. This is the connection of choice for many professional photographers looking to deliver their images with a wireless connection back to a computer as they are shot. New WFT Server mode The new WFT Server mode, previously called HTTP mode on legacy WFT units, allows up to three users to remotely connect to a camera via any standard Web browser for global access of images in real-time. Canon's WFT Server mode allows for multiple connected users to download both images and video files from a camera, as well as view still images, see a remote live view of the camera's rear LCD screen and remotely fire a camera all through the Web. The ability to initiate remote capture to a compatible personal computer while viewing the Live View display from either a computer terminal or mobile device such as a netbook, iPhone, or iPod Touch is an exciting and extremely useful feature that can be performed from within a local network or from across the globe over most web browsers. Multiple photo editors can now have instant access to a photographer's images, or photographers can remotely control a camera and transfer images to a compatible computer from the comfort of their mobile devices. "EOS Utility" mode The EOS Utility mode, previously called PTP mode on legacy WFT units, provides full-camera control while remote shooting with a complete full Live View preview on-screen, allowing a photographer to see and shoot from a computer as if the camera were in-hand. EOS Utility mode is essentially a wireless version of a direct USB connection, and the ideal mode for a commercial or portrait studio that needs full camera control and instant feedback across a local network. New Camera Linking function The new Camera Linking function enables photographers to link up to 10 "slave" cameras wirelessly to one "master" camera and fire all eleven cameras simultaneously for multiple images from various vantage points. Imagine being able to capture the crowd's reaction while shooting the play on the field, or having a camera capture the view from the stage while shooting the event from the pit; with Canon's new easy camera linking function the way a moment is preserved may never be the same. Each linked camera must be equipped with a compatible WFT unit. USB Host function While each Canon camera has a small USB port, the WFT unit includes a USB Host port, allowing photographers to connect large capacity storage devices or GPS units directly to the camera for maximum storage capacity or geotagging images. This allows for a huge amount of storage possibilities, as well as allowing for coordinate data input on image files. The new WFT unit is now also compatible with Canon Bluetooth unit BU-30, allowing Bluetooth compatible GPS devices to connect and append information to images wirelessly. This allows the photographer to be completely free of wires while shooting and still tag GPS coordinates to images. New Media Server function With the WFT-E5A's new Media Server function, EOS 7D photographers can wirelessly transfer and display images on DLNA (Digital Living Network Alliance) -compatible televisions and photo frames, ideal for photo presentations and workshops. This feature is available exclusively with the WFT-E5A Wireless File Transmitter. Pricing and Availability The Canon WFT-E4 II A Wireless File Transmitter and WFT-E5A Wireless File Transmitter are currently available and sell at an estimated retail price of $699.99i each. The WFT-E2 II A Wireless File Transmitter is scheduled to be available in the first quarter of 2010, price to be determined. Thu, 07 Jan 2010 13:18:47 -0600 LEICA D-LUX 4 Firmware Update 2.2 Released http://www.dslrcamerasreviews.com/a-20.html You will find a new firmware version for your LEICA D-LUX 4 camera on the Leica homepage. The following improvements have been implemented: 1. Improved auto white balance performance. 2. Auto Focus speed-up. 3. Recording function with an aspect ratio of 1:1 has been added. 4. A white balance (WB) bracket function has been added. 5. [HIGH DYNAMIC] has been added to scene mode. 6. [LENS RESUME] has been added to the [SETUP] menu. 7. [MENU RESUME] has been added to the [SETUP] menu. 8. The exposure compensation and the auto bracket compensation can now be set up to ±3EV. 9. Position of the guide line can now be set. 10. It is now possible to display the highlights in playback mode. 11. It is now possible to record the user's name in the picture. 12. Digital red-eye removal has been modified. 13. Items saved in the custom set have changed. 14. Improved auto white balance performance in sunset mode. 15. Improved recovery operation from unremoved lens cap. 16. Improved operation of MF ASSIST/AF area selection. 17. Improved display of Manual Exposure Assistance. Compared with the former 2.1 version the stability in all languages has improved. The firmware and the instructions for the installation & the new functions are available at the D-Lux 4 page under the link "UPDATES". Fri, 18 Dec 2009 15:46:40 -0600 LEICA D-LUX 4 Updated Firmware http://www.dslrcamerasreviews.com/a-19.html You will find a new firmware version for your LEICA D-LUX 4 camera at the Leica homepage. The following improvements have been implemented: 1. Improved auto white balance performance. 2. Auto Focus speed-up. 3. Recording function with an aspect ratio of 1:1 has been added. 4. A white balance (WB) bracket function has been added. 5. [HIGH DYNAMIC] has been added to scene mode. 6. [LENS RESUME] has been added to the [SETUP] menu. 7. [MENU RESUME] has been added to the [SETUP] menu. 8. The exposure compensation and the auto bracket compensation can now be set up to ±3EV. 9. Position of the guide line can now be set. 10. It is now possible to display the highlights in playback mode. 11. It is now possible to record the user's name in the picture. 12. Digital red-eye removal has been modified. 13. Items saved in the custom set have changed. 14. Improved auto white balance performance in sunset mode. 15. Improved recovery operation from unremoved lens cap. 16. Improved operation of MF ASSIST/AF area selection. 17. Improved display of Manual Exposure Assistance. The firmware and the instructions for the installation & the new functions are available at the D-Lux 4 page under the link "UPDATES". Fri, 11 Dec 2009 15:37:32 -0600 PENTAX D FA MACRO 100mm F2.8 WR lens Unveiled http://www.dslrcamerasreviews.com/a-18.html PENTAX has announced the smc PENTAX D FA MACRO 100mm F2.8 WR lens designed for use with PENTAX digital SLR cameras. Combining a high-quality exterior finish with PENTAX-original weather-resistant construction, this new macro lens is especially useful for the demands of outdoor photography. This PENTAX macro lens features a high-grade, aluminum barrel with the high-quality, exclusive exterior design and finish unique to the PENTAX D FA series lenses. Further, the entire mechanism of the focus ring has been reviewed and upgraded to assure flawless manual-focus operation. For improved performance, the PENTAX D FA MACRO 100mm F2.8 WR is the first PENTAX interchangeable macro lens featuring a completely rounded diaphragm blade to create a natural, beautiful bokeh at wide apertures, while minimizing the streaking effect of point light sources. PENTAX WR lenses feature simplified weather-resistant construction to repel water and moisture. Combined with a PENTAX weather-resistant K-7, K20D, K200D or K10D digital SLR camera body, the lens performs well in damp, inclement outdoor conditions including rain, mist, water spray and splashes. The lens also features the PENTAX-original SP (Super Protect) surface coating to repel dust, water and grease and to minimize fingerprints. Other significant features of this latest WR lens include: • Mounted on a PENTAX digital SLR camera body, this lens offers a focal length equivalent to 153mm in the 35mm format for high-quality, true-to-life images, while minimizing flare and ghost images. The maximum life-size magnification allows photographers to capture dramatic close-up images with great ease. • A working distance of just over five inches (13 cm) facilitates close-up photography of subjects including flora, insects, and wildlife. • The PENTAX-developed Quick-Shift Focus System for instant switching to manual-focus operation after the subject is captured in focus by the camera’s AF system. • An image circle to accommodate 35mm film-format camera image size. • Compatibility with the macro adapter included in the PENTAX AF160FC dedicated Auto Macro Ring Flash. Thu, 10 Dec 2009 16:05:33 -0600 Canon EOS-1D Mark IV DSLR Camera Unveiled http://www.dslrcamerasreviews.com/a-17.html Canon U.S.A., Inc., a leader in digital imaging, is proud to introduce the next evolution in the EOS 1D series of cameras: the Canon EOS-1D Mark IV Digital SLR camera. The EOS-1D Mark IV is a high-speed multimedia performance monster with a 16-megapixel Canon CMOS sensor, Dual DIGIC 4 Imaging Processors, and 14-bit A/D data conversion, all at 10 frames-per-second (fps), with the widest ISO range Canon has produced to date. This new camera also features 1080p Full High-Definition video capture at selectable frame rates packaged in Canon’s most rugged and durable professional camera body. The crowning achievement of Canon’s 1D Mark IV Digital SLR is its new autofocus system that starts with 45 AF points including 39 high-precision cross-type focusing points capable of tracking fast moving athletes or wildlife accurately at speeds up to 10 frames per second. With greater subject detection capability than ever before plus a newly redesigned AI Servo II AF predictive focusing algorithm, the Canon EOS-1D Mark IV camera sets new standards for autofocus performance among professional digital SLRs. Whether shooting for the six o’clock news or the front page, the EOS-1D Mark IV Digital SLR is the quintessential camera to freeze fast-moving action with high-speed stills or capture stunning HD video with dynamic color and image quality. To accompany the new EOS-1D Mark IV Digital SLR camera, Canon is also announcing a new accessory, the WFT-E2 II A wireless file transmitter providing photographers with a wide range of professional digital connectivity options. “Canon works hard to be the imaging leader in all our business endeavors. This goal has fueled our innovation and R&D efforts to engineer the most advanced autofocus system Canon has ever produced. We are proud to announce the camera that will deliver the ultimate in imaging quality to professionals working in all areas of multimedia imaging, whether it’s action photography, photojournalism or HD video and cinematography,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. The Canon EOS-1D Mark IV camera will intrigue professional photographers in virtually every category from photojournalism and sports through nature, wedding, portrait and fashion to commercial, industrial and law enforcement. What makes the EOS-1D Mark IV camera different from its predecessors, in addition to numerous focusing system and image quality improvements, is its exceptional Full HD video capture capability. With this new level of functionality, the 1D Mark IV Digital SLR is destined to appeal not only to professional still photographers but also to a diverse market of professional videographers and filmmakers who are looking for exceptional Full HD video quality, amazing low-light performance, outstanding portability and a level of durability unheard of in most HD video cameras in this price range. New 45-Point Autofocus System The new EOS-1D Mark IV Digital SLR camera features Canon’s most advanced Autofocus system to date. It is equipped with a newly developed 45-point AF sensor featuring 39 high-precision cross-type AF points, and an all new AI Servo II AF mode that gives still photographers the power and performance to track and focus a fast-moving subject at speeds up to 10 frames per second. With more than twice as many cross-type focusing points as the EOS-1D Mark III and a new AF sensor construction that improves performance in low light and with low contrast subjects, the EOS-1D Mark IV has greater subject detection capabilities than any previous EOS model. To complete the range of AF improvements, Canon has developed a new AI Servo II AF predictive focusing algorithm that significantly improves responsiveness and stability by making better decisions on focus tracking in a variety of shooting conditions. Amazing High ISO Performance Wedding and event photographers shooting in low light without the benefit of a flash can take advantage of Canon’s widest ISO range and highest performance ever. The EOS-1D Mark IV camera’s ISO speed settings range from 100 up to 12,800 in 1/3 or 1/2 stop increments with ISO Expansion settings of L: 50 for bright light or H1: 25,600, H2: 51,200, and H3: 102,400 for even the most dimly lit situations. Photographers and documentary filmmakers working in available light will be impressed by the low-noise image quality of the 1D Mark IV, capturing amazing still images and video footage even at speed settings as high as ISO 12,800. High ISO, low light still images are further enhanced by Canon’s adjustable High ISO Noise Reduction feature, now a default setting in the camera. The EOS-1D Mark IV, EOS HD Video Powerhouse Over the past year, Canon’s EOS HD Video technology has changed the way users capture 1080p HD video and opened new doors for multimedia journalists and Hollywood cinematographers alike with full manual exposure control, selectable frame rates, and interchangeable lenses on some of the largest and most sensitive image sensors on the market. Canon continues this innovation trend with the new EOS-1D Mark IV Digital SLR with Full HD capture and full manual exposure control, plus selectable frame rates on an all-new APS-H-sized image sensor that’s similar in size to a Super 35mm motion picture film frame. The large sensor allows filmmakers to achieve shallow depth-of-field just as cinematographers have traditionally done using much higher-cost motion picture equipment. The more than 50 Canon EF lenses compatible with the EOS-1D Mark IV give videographers incredible creative options, including an impressive selection of large-aperture professional L-series primes as well as zoom lenses, macro, Tilt-Shift and Fisheye optics. The Canon EOS-1D Mark IV allows for three video recording resolutions – 1080p Full HD and 720p HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio. The camera will record Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards. Sound is recorded either through the internal monaural microphone or via optional external microphones connected to the stereo microphone input. The camera also provides an in-camera video editing function allowing users to remove the start or ending of a video clip directly in the camera to eliminate unwanted footage and speed up post-production. Image Quality and Performance The heart of the EOS-1D Mark IV camera’s outstanding image quality is a newly developed 16.1-Megapixel CMOS sensor featuring Canon’s latest and most advanced proprietary technologies. These technologies include improved photodiode construction to enhance dynamic range and gapless microlenses that are positioned closer to the photodiodes for improved light gathering efficiency. The transmissive quality of the color filter array has been enhanced to improve sensitivity. Canon has also upgraded the sensor circuitry to improve noise reduction before the image data is exported from the CMOS sensor to the rest of the image processing chain. With 60 percent more pixels than the EOS-1D Mark III, the EOS-1D Mark IV Digital SLR employs Dual DIGIC 4 Image Processors with approximately six times the processing power of DIGIC III for full 14-bit A/D conversion at 10 fps. High-speed continuous shooting up to 121 Large JPEGs is possible using a UDMA CF card. This camera also features three RAW shooting modes for versatility with Full RAW (approx. 16 million pixels), M-RAW (approx. nine million pixels), and S-RAW (approx. four million pixels). Three additional JPEG recording formats (M1, M2 and Small) are also available. The 14-bit per channel conversion facilitated by the dual DIGIC 4 Processors provides smoother tonalities in final images capturing all 16,384 distinct tones in each channel (red, green and blue) at the full 10 fps frame rate. RAW images shot on the new Canon EOS-1D Mark IV use the entire 14-bit space when converted to 16-bit TIFF files in Canon Digital Photo Professional (DPP) software, which is supplied with the camera at no extra charge. The 14-bit A/D conversion is also the foundation for Canon’s Highlight Tone Priority feature that takes maximum advantage of the camera’s extensive dynamic range to preserve detail in highlight areas of the image. Canon’s new EOS-1D Mark IV Digital SLR also features an improved white balance algorithm making colors more accurate when shooting under low color temperature light sources such as household tungsten lamps. The EOS-1D Mark IV Digital SLR features Canon’s Peripheral Illumination Correction function which corrects darkening that can occur in the corners of images with most lenses when used at their largest apertures. When activated, it is automatically applied to JPEG images and video clips as they are shot. For RAW images, it can be applied in DPP software. Other new features include a large three-inch solid structure Clear View II LCD screen with 920,000 dot/VGA resolution and a wide 160-degree viewing angle for enhanced clarity and more precise color when reviewing images and shooting video. The new in-camera copyright information feature helps professionals secure control over images by setting copyright data directly into the camera and appending that information to each image file in the Exif metadata. Additional features include a fluorine coating on the Low Pass Filter to further repel dust and enhance the EOS Integrated Cleaning System. Minimize Post-Production with Enhanced Canon Auto Lighting Optimizer Action photography truly is all about speed, capturing a fast subject with fast focusing and fast frame rates. However, all this speed might be wasted if it is slowed down by lengthy post-production procedures to adjust image quality. The EOS-1D Mark IV Digital SLR helps reduce post-production work with a powerful new Auto Lighting Optimizer (ALO) system. When enabled, Canon’s ALO automatically adjusts the image for optimal brightness and contrast on the fly during in-camera image processing, reducing clipped highlights while keeping shadowed areas as clear and detailed as they actually appear. By optimizing brightness and contrast in-camera, Canon’s ALO system significantly reduces the need for post-production image optimization, and gives photographers image quality they can take directly to press. Demanding professional photographers who tested ALO clearly stated that this one feature will reduce their post-production image optimization process by more than 75 percent. Canon’s ALO works with both RAW1 and JPEG images as well as video recording. Rugged Reliability Canon has taken every measure to ensure that the EOS-1D Mark IV Digital SLR camera has the highest degree of weather resistance in the EOS line. The 1D Mark IV camera incorporates a wide range of design features that enhance its durability and reliability for professional assignments. For example, the 1D Mark IV’s body, chassis and lens mount are completely weather-resistant and 76 gaskets and seals surround all buttons and seams. The body covers and internal chassis, including the mirror box, are constructed with magnesium-alloy, one of the strongest and rigid metals available for its weight. For added strength, the lens mount is constructed with stainless steel. In fact, when used with Canon’s Speedlite 580EX II and/or most current L-series lenses, the entire camera system remains fully weather resistant, so professionals can concentrate on getting the shot instead of worrying about protecting their gear. New Wireless Connectivity Canon is announcing the availability of the new WFT-E2 II A* wireless file transmitter exclusively for the EOS-1D Mark IV Digital SLR camera. The WFT-E2 II A wireless transmitter is an extremely small and versatile device that offers professional photographers a wide range of digital connectivity options including IEEE802.11a/b/g and Ethernet, ideal for commercial and studio work. In addition to adding the ability to connect to wireless networks over 802.11a, the new WFT-E2 II A adds a wealth of new professional features to the photographer’s tool kit. The new Camera Linking feature allows a single photographer to simultaneously fire up to 10 cameras remotely; and the updated WFT Server mode lets you remotely use Live View, control settings, and fire the EOS-1D Mark IV over the internet from anywhere in the world using a standard Web browser or many Web-enabled smart phones. Additionally, geotagging is now possible via Bluetooth, using compatible GPS devices to append coordinate data to the images. Pricing and Availability The Canon EOS-1D Mark IV Digital SLR camera is scheduled to be delivered to U.S. dealers in late December, and will be sold in a body-only configuration at an estimated retail price of $4,999. Final pricing and availability for the Canon WFT-E2 II A wireless file transmitter will be available later this year. Tue, 20 Oct 2009 01:17:55 -0500 Nikon D3S DSLR Camera Unveiled http://www.dslrcamerasreviews.com/a-16.html Nikon has announced the FX-format D3S D-SLR, providing professional photographers with a powerful tool that redefines the boundaries of digital SLR versatility, while maintaining the strength of superior image quality and high speed performance inherited from the groundbreaking D3. The D3S enables not only new opportunities in low-light photography, but also provides photographers with added shutter speed and aperture freedom with a base ISO sensitivity range from ISO 200 to a remarkable 12,800. Additionally, expanded ISO equivalent settings up to a staggering 102,400 are available, enabling photographers to create images previously thought impossible. The Nikon D3S builds upon the success of the Nikon D3—the professional digital SLR that set new standards for D-SLR performance and utilizes a newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor that also integrates its amazing low-light ability to High Definition (HD) video, creating a uniquely capable multi-media tool to meet the needs of a changing imaging landscape. “When the Nikon D3 was released, it ushered in a new era of professional digital imaging. Today, the D3S will further reinforce Nikon’s leadership role in the photographic industry as a pioneer in performance-driven technologies that will again break once-rigid picture-taking barriers,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “The ruggedly constructed D3S was engineered to address the real-world needs of professional photographers and provides them with a tool that, when combined with their skills, delivers stunning images in a broad range of shooting conditions and assignment requirements.” Creative Vision Beyond the Human Eye The Nikon D3s, with a base ISO sensitivity from ISO 200 to 12,800 makes it possible to capture previously impossible images—image opportunities which were often ignored because of low light levels. Now, in even more demanding lighting conditions, photographers can select expanded sensitivity settings of ISO equivalent 25,600, ISO equivalent 51,200 and an incredible ISO equivalent sensitivity of 102,400 which reveals detail in extreme low-light environments that challenge even the human eye’s ability to discern subject content. In addition, a setting of ISO equivalent 100 is provided. This industry-first, groundbreaking ISO sensitivity range will make the D3S the camera of choice for photographers who typically face extreme lighting challenges, such as indoor or nighttime sports, spot news, wedding receptions and ambitious nature photography. This broad ISO sensitivity also affords the ability to shoot at faster, action-stopping shutter speeds. D3S shooters will enjoy a major advantage in any situation where light is limited and the use of supplemental lighting is not an option. For the photojournalist, even the highest ISO setting delivers image quality to satisfy the needs of offset printing. Big Pixels Equal Greater ISO Capabilities The amazing low-light ability of the D3S, as well as its astounding image quality can be attributed in large part to the engineering behind the newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor, which measures 36x23.9mm. While the pixel size and count that served the D3 were maintained to deliver the pinnacle of image quality, dynamic range, phenomenal tonal gradation and outstanding color, other aspects were engineered to add versatility through broader low-noise ISO sensitivity. Individual pixels measure a large 8.45 microns, which support enhanced sensitivity to light and other qualities leading to superior image fidelity. The D3S captures light and renders images in a way that no other Nikon camera has yet to achieve, with a higher signal-to-noise ratio and an unmatched dynamic range for both stills and HD video throughout its broadened ISO range. The Nikon D3S adds the extra benefit of an Image Sensor Cleaning function to reduce instances of image degradation resulting from dust accumulation on the optical low pass filter (OLPF) in front of the image sensor. The OLPF oscillates at four specific frequencies to release particles that would disrupt image quality. Sensor Cleaning can be set by the user to cycle automatically when the camera is powered on, turned off, or on demand. Share the Vision with D-Movie Creativity Whether on the frontlines or sidelines, the amazing ISO range of the D3S can also be applied while recording HD video clips to give unprecedented low-light ability for movie clips. The refined D-Movie mode for the FX-format offers smooth 1280x720 video at a cinematic 24fps, with a new algorithm that severely reduces the phenomenon of “rolling shutter” typical to D-SLRs while panning. The motion JPEG codec allows for easy extraction of single frames from a video clip and the ability to save it as a JPEG file, while the 720p HD format eases storage, provides faster wireless transfers, and offers video files that are generally easier to use in the field. Photographers can also trim movie clips on the fly by revising the start and end points, and save the edited clip as a copy while maintaining the original. Additionally, the D3S features a built-in monaural microphone, augmented by a stereo microphone input, which is perfect for hot-shoe microphone mounting or the use of wireless microphones for interviews or spot news. Photographers and film makers alike will appreciate the full aperture control from a wide f/1.4 to f/16, as the FX-format sensor renders low-noise movie clips with outstanding clarity, aided by the large selection of renowned NIKKOR lenses to produce a dramatic depth of field. High Sensitivity Movie Mode allows the utilization of the entire ISO range to capture otherwise hidden details in challenging lighting conditions, more effectively than cameras with smaller sensors. Now, users can benefit from available natural light for applications such as telling a story in a journalistic style in the field or to create a gritty film noir masterpiece without CGI post production. While recording, users also have the ability to control exposure, and will enjoy the added benefits of improved contrast-detect type AF while in Tripod Live View mode. Performance and Features Defining Versatility The emergence of the D3 in 2007 provided photographers with a unique fusion of ruggedness, speed, versatility and image quality—characteristics which the D3S now takes even further. Photographers are able to capture images at 9 frames per second (fps) in the FX-format or at up to 11 fps in the DX crop mode, while data is transferred through a 16-bit pipeline for optimal processing speed. Additionally, the buffer has been increased, enabling continuous bursts approximately twice that of the D3 in the JPEG, TIFF or NEF (RAW) formats. Files can also be captured in either 12- or 14-bit compressed or uncompressed formats to maintain the images data integrity. Photographers can also select the new 1.2x crop mode for a modest telephoto effect, while minimally impacting resolution, as photos are captured at approximately 8.4 megapixels (9 fps). The D3S also features two UDMA compatible CompactFlash™ card slots that can be used for consecutive recording (overflow), simultaneous recording (backup), separating recording of RAW and JPEG files or even copying pictures between the two cards. One or both can also be designated for data-heavy D-Movie recording. Images can be displayed directly from the camera to a High Definition monitor using the camera's HDMI port and an optional cable. The D3S features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes, including a phase detection handheld mode and a tripod mode. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation. To alleviate another kind of noise, the D3S also features a Quiet Shutter Mode which substantially reduces the sound of the camera’s mirror-down cycle, which is perfect for shooting in sensitive environments, such as movie sets, meetings, ceremonies, or while photographing wildlife. Technologies Engineered for Professionals The D3S’ speed and performance is the culmination of many Nikon core technologies including the latest generation of the EXPEED™ Image Processing System. The latest iteration of this system is specially designed to keep pace with the D3S’ blazing performance to provide amazing image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters. The D3S’ accelerated Scene Recognition System analyzes information from the 1,005-pixel RGB light sensor for use in auto exposure, auto white balance detection and autofocus calculations. The Scene Recognition System also assists autofocus by tracking subject position and automatically shifts the AF points used to match the subject’s movement within the frame. Nikon's exclusive 3D Color Matrix Metering II assists in ensuring accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system's sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting (ADL), used in combination with 3D Matrix Metering II, helps to determine proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Photographers can also use ADL bracketing for up to five frames of ADL compensation. To further enhance each photographer's expression of personal style, Nikon’s Picture Control System allows selection of Picture Control settings including Standard, Neutral, Vivid and Monochrome. Additionally, adjustment can be made to Picture Controls to image sharpening, contrast, brightness, saturation, hue and more. Photographers then have the flexibility to save up to nine personalized Picture Controls on camera and 99 additional Picture Controls externally. Ready for Work Engineered for real-world functionality, the D3S is ruggedly constructed with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to 300,000 cycles for maximum accuracy and longevity. Rigid and precise magnesium alloy construction and the familiar form factor of the D3 extend consistent Nikon system synergy. A bright and accurate viewfinder provides 100-percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 921,000-dot, 3.0-inch super density LCD monitor which is viewable up to 170 degrees, and is safeguarded by a tempered glass cover. Thanks to incredibly efficient internal circuitry, the D3S can capture up to 4200* shots per single charge of the camera’s Lithium-ion battery. System Strength Withstands the Test of Time The D3S is fully compatible with Nikon’s Creative Lighting System (CLS) affording photographers a mobile lighting solution that is easy to manage. D3S is also compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and (satellite) date of shooting. Photographers can shoot tethered via USB, or use the WT-4A wireless transmitter to send images wirelessly when speed and mobility are essential. D3S users will also enjoy the system strength bolstered by a comprehensive selection of NIKKOR interchangeable lenses—long heralded for their optical superiority. Price and Availability The Nikon D3S digital SLR is scheduled to be available at Nikon Authorized dealers beginning in late November 2009 at an estimated selling price of $5,199.95**. For more information, please visit www.nikonusa.com. Users can see the new D3S, along with Nikon’s entire line of photographic, optical and digital imaging solutions, including the recently announced new AF-S DX Micro NIKKOR 85mm f/3.5G ED VR lens, on display at the Nikon booth (#501) at the PhotoPlus Expo in New York, from Oct. 22 to Oct. 24, 2009. Wed, 14 Oct 2009 00:40:40 -0500 Olympus Photography Classes Schedule http://www.dslrcamerasreviews.com/a-15.html Olympus is launching its latest in a series of photography classes for photo enthusiasts who are interested in elevating their skills to the next level, specifically in the areas of lighting, portraiture and macro photography. The half-day courses are scheduled at eight locations throughout the U.S., and are led by Olympus Technical Representatives, experts both in photography and Olympus products. “Olympus E-System products offer photographers innovative technologies for expanding their visual creativity,” said Ray Acevedo, manager, Technical Training, Olympus Imaging America Inc. “The classes are designed to encourage Olympus DSLR (digital single lens reflex) owners to experiment, move beyond their traditional shooting practices, and optimize their camera’s functionality.” Each class will be taught using one of Olympus’ popular E-System products, including the E-3, E-30 and E-620, as well as the new PEN E-P1, which was launched in June and has stirred much excitement within the photo industry and among consumers. The classes will be tailored to the attendees, helping them to maximize their camera’s performance and feature set. The Olympus Photography Classes are scheduled for the following locations: * October 17, 2009 – Dallas, Texas * October 31, 2009 – Rockville, Maryland * November 7, 2009 – Fort Lauderdale, Florida * January 30, 2010 – San Francisco, California * February 27, 2010 – Los Angeles, California * March 6, 2010 – New York, New York * March 13, 2010 – Pittsburgh, Pennsylvania * March 13, 2010 – Atlanta, Georgia For a complete schedule, registration information and contact details visit www.getolympus.com/DSLRevents. A class fee will cover a series of lectures and hands-on training lasting a half-day, and all classes will require an Olympus E-System camera for participation. The Olympus E-System is designed with revolutionary features that expand the frontiers of digital photography. Based on the Four Thirds and Micro Four Thirds standards, Olympus offers 100 percent digital lenses for edge-to-edge sharpness in a durable yet portable design. Olympus pioneered Full-Time Live View, Dust Reduction and other innovative technologies, leading where others have followed. Proof that Olympus enables consumers to capture it all. Dates are subject to change. Journalists interested in receiving more information about the Olympus Photography Classes or Olympus products please contact Jeff Hluchyj, Mullen Public Relations, (617) 226-9939 or jeff.hluchyj@mullen.com, or Jennifer Lyons, public relations manager, Olympus Imaging America Inc., 3500 Corporate Parkway, Center Valley, PA 18034, ph: (484) 896-5350 / (800) 622-6372. Tue, 13 Oct 2009 12:42:52 -0500 Nikon at Barnstorm, 22nd Eddie Adams Workshop http://www.dslrcamerasreviews.com/a-14.html From October 9-12, Nikon will sponsor 100 of the world’s most promising young photojournalists in upstate New York for the 22nd Eddie Adams Workshop, also known as “Barnstorm.” Renowned and award-winning professional photographers and photo editors will mentor the handpicked selection of students during the intense four-day workshop. To prepare Barnstorm participants for an ever-changing world where multimedia content is becoming more prevalent every day, students will have the opportunity to use Nikon’s professional digital SLR camera system, as well as the new D300s with HD video capabilities. “Nikon is proud to continue the longstanding tradition of engaging tomorrow’s photographers and photojournalists in a unique educational experience through the Eddie Adams Barnstorm Workshop,” said Bill Pekala, general manager of Nikon Professional Services, and Eddie Adams Workshop board member. “On behalf of Nikon, we are honored for the opportunity to provide this elite group of carefully selected students with access to Nikon's extensive line of high-quality cameras and precision lenses, as well as empower them with a photographic experience the world has come to expect from Nikon.” To tailor the learning experience to the evolutionary digital industry, participants have access to a state-of-the-art digital photo and multimedia studio with all of the latest technologies. Nikon technical experts will be available onsite to offer advice and guidance. Additionally, Nikon will provide access to professional camera equipment such as the D3, D3X, D700 allowing these students to capture the world around them in stunning detail and clarity. Students will also have access to the Nikon D300s, a D-SLR that allows them to capture both stills and video to adapt to the new multimedia world where content is king. Following an overwhelmingly positive response the past three years, the multimedia workshop will continue as part of the core curriculum. With many news outlets and other publications expanding their offerings to include interactive slideshows and audio and video content, students receive a crash course in the new media marketplace with access to the top multimedia editors in the country. Barnstorm participants are the visionary photographers of tomorrow and will benefit from the experience and advice of legendary professional mentors such as Bill Eppridge, Stacy Pearsall and Tim Rasmussen. Other famous photographers available to Barnstorm participants include individuals from well known photojournalism publications such as National Geographic, Sports Illustrated, The New York Times, The Washington Post, Getty Images and The Associated Press. During the workshop, the Barnstorm students are divided into 10 teams, with each team paired with a photographer, an editor and a researcher. Each day consists of hands-on activities such as shooting and editing, as well as speeches and panel discussions from industry veterans. Over the course of the workshop, students are exposed to many types of photography including photojournalism, fine art photography, studio portraiture, underwater work, long-term projects, and conflict photography. In addition to sponsoring the Barnstorm, this is the sixth year that Nikon will award a $10,000 scholarship to the top student from the Barnstorm XXII Workshop. A panel of judges selects a student based on the work he or she presents during the workshop. The scholarship money must be used by the winning student to further his or her education in the photographic arts field, and will be applied towards their tuition and/or housing at the college of his or her attendance. “Photojournalists and the publications who hire them for their expertise are constantly searching for new and creative ways to reach their audience,” said Alyssa Adams, executive director, Eddie Adams Workshop. “The Eddie Adams Workshop brings together the best photographic talent, while Nikon provides students with the best tools to explore all the new media possibilities.” About Barnstorm: The Eddie Adams Workshop Now in its 22nd year, the purpose of the Eddie Adams Workshop is to create a forum where the exchange of ideas, techniques, and philosophies can be shared between both established members and newcomers of the profession of picture journalism. The workshop is a tuition-free, invitation-only event. Attendees are portfolio-selected by the Eddie Adams Workshop Board of Directors. For more information, please visit www.eddieadamsworkshop.com. Wed, 07 Oct 2009 10:09:36 -0500 PENTAX K-x DSLR Camera Unveiled http://www.dslrcamerasreviews.com/a-13.html PENTAX has unveiled the new K-x digital SLR. This latest PENTAX camera offers high-end features including Live View and HD video. And, since there’s no rule that SLR cameras must come in black only, the K-x will be available in a choice of white or black, as well as special, limited edition red and navy. Priced at $599.95 USD (for body with DA L 18-55mm lens), the extremely compact and lightweight PENTAX K-x forges ahead on the trail initiated by the popular PENTAX K2000. With a one-handed shooting design and simple, easy-to-use operation, the K-x is perfect for users stepping up from a point and shoot digital camera to their first digital SLR. The PENTAX K-x offers photographic performance that challenges higher class DSLR models and offers several features that set this camera apart in the entry-level category: • High resolution 12.4 megapixel CMOS image sensor features sensor-shift Shake Reduction for stabilized image and video capture up to 4 stops max. • Large 2.7 inch LCD features Live View with contrast, phase difference, and Face Detection autofocus (up to 16 faces). • Widescreen HD video capture in full 720p resolution (1280x720) at 24 FPS cinematic framerate, using any PENTAX 35mm lens. • Creative processing and filter modes produce high quality finished images, while offering the ability to explore artistic freedom through unique special effects. • True High Dynamic Range (HDR) image capture blends 3 bracketed images into a single picture with outstanding shadow, highlight, and midrange detail. • Fast 4.7 FPS capture speed and 1/6000 second maximum shutter speeds are possible with the PENTAX PRIME II image processing engine. • Powerful automatic modes, including PENTAX Auto Picture and scene modes, ensure the perfect shot in any situation, while helping new photographers learn DSLR photography. • Responsive 11 point wide angle SAFOX VIII autofocus system focuses quickly and accurately, and can easily track moving subjects. • Captures up to 1900 shots with universally available, easy-to-find AA lithium batteries (also compatible with AA NiMH rechargeable and alkaline batteries). All combined, the PENTAX K-x is the perfect camera for new digital SLR camera users as well as an ideal backup camera for more experienced photographers. Along with the K-x, PENTAX announced the smc PENTAX DA L 55-300mm F4-5.8 ED super-telephoto zoom lens. This lens will be exclusive to a K-x Twin Lens Kit package consisting of a K-x body, this new lens and the smc PENTAX DA L 18-55mm F3.5-5.6 lens. The lightweight design of this zoom lens offers the exceptional optical performance found in all PENTAX lenses for super-telephoto photography with the K-x and other PENTAX digital SLR camera bodies. The PENTAX K-x is now available for pre-order in black or white on www.pentaxwebstore.com. Limited edition colors of red and navy will become available at select locations to be announced. The PENTAX K-x (in black and white) will ship in October 2009 in three configurations: options: · K-x single lens kit with body and an smc PENTAX DA L 18-55mm lens for USD $649.95. · K-x twin lens kit for $749.95 including a K-x body, the smc PENTAX DA L 18-55mm lens and the smc PENTAX DA L 50-200mm zoom lens. · K-x twin lens kit for $849.95 including a K-x body, the smc PENTAX DA L 18-55mm lens and the smc PENTAX DA L 55-300mm zoom lens. Thu, 17 Sep 2009 01:19:14 -0500 Canon EOS 7D DSLR Camera Unveiled http://www.dslrcamerasreviews.com/a-12.html Canon today introduced a revolutionary camera that redefines the highly competitive mid-range DSLR product category: the Canon EOS 7D Digital SLR camera. Professional photographers and advanced amateurs have been demanding higher performance and more diverse functions in their cameras, and Canon has answered – with the new EOS 7D. Far more than a slight improvement from a previous model, the EOS 7D DSLR is a brand new product that stands on its own with new features never before seen in any Canon camera. Whether it's shooting at eight frames per second (fps), focusing with the new Zone AF mode or recording 24p Full HD video, the EOS 7D DSLR camera satisfies the most rigorous professional requirements with durability, flexibility, high-resolution images and customizable controls. With its unprecedented out-of-the-box performance and high-end feature set, the EOS 7D is poised as the ultimate step-up camera for serious photographers or a second camera for professionals in the field. The EOS 7D boasts significant EOS advancements including a completely new 19-point Autofocus system, a new Canon iFCL Metering System (Intelligent Focus, Color, Luminance) and a new Intelligent Viewfinder. An 18-megapixel Canon CMOS sensor and Dual DIGIC 4 Imaging Processors fuel the EOS 7D's 14-bit A/D data conversion and its ability to freeze fast motion in high-resolution with eight fps continuous shooting up to 126 Large JPEGS using a UDMA CF card, positioning this camera for the studio as well as the sideline. The EOS 7D captures beautiful low-light images with or without a flash, at occasions such as a dance recital or wedding reception, thanks to a wide range of ISO speed settings from 100-6400 (expandable to 12,800). In addition to its new still capture capabilities, the EOS 7D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing. "The EOS 7D represents a completely new chapter in digital photography and Canon product development. This camera stands alone as the most functional and innovative DSLR Canon has released to-date, bringing together all of the best professional features offered, along with numerous user requests at a price-point everyone can appreciate," stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. The Evolution of Vision, the EOS 7D's New Autofocus System The Canon EOS 7D boasts the most advanced AF system ever seen in an EOS SLR. The completely re-designed system includes a new multi-axis cross-type 19-point AF grid, where the focusing points are evenly spread out across the image plane and clearly displayed through Canon's new Intelligent Viewfinder. All 19 points are f/5.6-sensitive for both horizontal and vertical cross-type focusing, while the center AF point adds high-precision diagonal cross-type sensitivity for f/2.8 and larger aperture lenses. The Canon EOS 7D Digital SLR camera is the first EOS SLR to feature 19 cross-type focusing points that remain fully functional with maximum apertures as small as f/5.6, which brings the performance of the AF system to unprecedented levels for assignments as varied as fast-moving sports action or low-light wedding ceremonies. The Canon EOS 7D's AF system allows numerous AF area selection modes never seen before in an EOS SLR camera. New modes include: # Spot AF mode reduces the size of a single AF point to focus on small subjects like an animal in a cage. # AF Point Expansion mode uses a cluster of AF points adjacent to the selected AF point to automatically assist focusing on moving subjects, such as an athlete on the run. # Zone AF divides the 19 AF points into five selectable focusing zones and makes it easier to achieve focus with subjects that are difficult to track with Single Point AF or AF point expansion, such as birds in flight. Additional AF improvements include a revised Automatic AF point selection sequence that allows a user to pick any one of the 19 AF points as a starting point for tracking moving subjects in AI Servo mode. (Previous EOS models required the subject to first be acquired by the center focusing point.) If the subject moves away, the camera will continue to track the movement with the remaining points and display the active focusing point in the viewfinder. Also, a time-saving feature is AF Point Switching, which allows photographers to select and register one AF point for horizontal compositions and a second AF point for vertical shooting, ideal for studio and portrait photographers. To complement the new AF system, the exposure metering system for the EOS 7D has been completely re-designed to take color information into account, another first for an EOS system. Canon's iFCL metering includes a 63-zone dual-layer metering sensor that reads both illumination and color for consistent results in all lighting conditions, keeping exposure levels stable from shot to shot, even as the light source changes. Canon's new Intelligent Viewfinder uses a liquid crystal overlay to provide clear and precise displays of focusing points and zones, on-demand grid lines and a spot metering circle. The LCD overlay can also be illuminated in extreme low-light situations or turned off completely. The EOS 7D camera's viewfinder includes a large all-glass pentaprism with an antireflective coating to maximize clarity and provide a brighter display. The EOS 7D's Intelligent Viewfinder features 1.0x magnification with 100 percent coverage for accurate composition and checking of detail. EOS HD Movie: Empowering the World of Videography Canon has blazed new trails in HD video capture with the 5D Mark II. Now, the EOS 7D takes DSLR video to new heights with Full HD capture featuring fully manual exposure control, and selectable cinematic frame rates for both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards. Compatible with more than 60 Canon EF and EF-S lenses, the EOS 7D lets videographers take full advantage of the camera's large CMOS sensor to achieve the dramatic frame composition they desire. At the heart of the EOS 7D are two key proprietary Canon technologies, Dual DIGIC 4 Imaging Processors and a large APS-C-sized CMOS sensor, helping to render stunning color reproduction, amazing depth of field and fine detail, even in low-light conditions. The Canon EOS 7D allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. The EOS 7D Digital SLR camera will record Full HD at 1920 x 1080 pixels in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); 720p HD recording at 50p or 60p (59.94) and SD video at frame rates of 50p or 60p (59.94). The EOS 7D features a new dedicated button to initiate live view for both video and still shooting. Once engaged, the same dedicated button will start and stop video recording. Like the EOS 5D Mark II, the Canon EOS 7D Digital SLR camera provides users with the capability to use an external stereo microphone for professional audio effects or a built-in monaural microphone for convenience. The Features You Asked For A helpful new tool for architectural and landscape photography where angles and perspective are critical is Canon's new built-in Dual Axis Electronic Level, featuring an artificial horizon over the image on the rear LCD screen in Live View or in the viewfinder using illuminated AF points for easy leveling while shooting. The dual axis electronic level shows both horizontal roll and vertical pitch, making it easy to identify when the camera is in a fixed level shooting position and ready to take the shot. The EOS 7D's pop-up flash features a built-in Integrated Speedlite Transmitter for control of multiple off-camera EOS Speedlites without the need for an external transmitter. This built-in wireless option is a compact and economical solution for studio and wedding photography with multiple flash set-ups. A new Intelligent Macro Tracking function helps reduce blur during macro shooting by recognizing when a macro lens is attached and automatically adjusting the AI Servo sampling frequency. This AI Servo adjustment accounts for camera movement forward and back, a typical occurrence when moving in close for a macro shot as photographers rock back and forth, or a flower blows in the wind. Once in your hands, you can immediately feel the ergonomic improvements of the Canon EOS 7D camera, starting with a new super-fluid body design with continuous curves outlining the top of the camera and a revised grip that fits better in a user's hand. The camera has a new Quick Control Button, which opens an easy-to-navigate menu on the camera's LCD screen. From this menu, users can adjust all camera settings including AF modes as well as set custom button functions, an insightful new feature that can easily customize each button's function to the photographer's preference. Another new feature is the RAW/JPEG toggle button providing quick dual-format shooting, allowing photographers to quickly add large JPEG or RAW file formats to their already selected shooting mode at the touch of a button. The Canon EOS 7D camera also features a new large, clear 3.0-inch solid structure Clear View II LCD screen with 920,000 dot/VGA resolution for enhanced clarity and color when viewing images. The camera's nine internal seals enhance weather resistance, and its 150,000-cycle shutter durability positions the EOS 7D as a "workhorse" for professionals in any photography discipline. New Wireless Connectivity Canon is announcing the availability of the new WFT-E5A wireless file transmitter (WFT) exclusively for the EOS 7D Digital SLR camera. The WFT-E5A wireless transmitter offers professional photographers a wide range of digital connectivity options including IEEE802.11a/b/g and Ethernet, ideal for commercial and studio work. The WFT-E5A wireless file transmitter opens the door to new possibilities in remote and Geotagged shooting applications. Photographers can fire up to 10 cameras simultaneously from across the room or across the country while maintaining control over camera settings and remote live view on a laptop or smart phone.i The WFT-E5A wireless transmitter can also transfer and display images on DLNA (Digital Living Network Alliance) compatible televisions and photo frames. Geotagging is now possible via Bluetooth, using compatible GPS devices to append coordinate data to the images. Pricing and Availability The Canon EOS 7D Digital SLR camera is scheduled to be delivered to U.S. dealers at the end of September, and will be sold in a body-only configuration at an estimated retail price of $1,699.00ii. It will also be offered in a kit version with Canon's EF 28-135mm f/3.5-5.6 IS USM zoom lens at an estimated retail price of $1,899.00iii. The Canon WFT-E5A wireless file transmitter is scheduled to be available in early November and sell at an estimated retail price of $699.99iv. Canon Digital Learning Center Online visitors and Web surfers are encouraged to browse the Canon Digital Learning Center and take advantage of the various educational resources that Canon has to offer for novices and advanced photographers alike. The Canon Digital Learning Center provides a schedule for a wide variety of Live Learning classes across the country with renowned photographers as well as online resources and tips. The site also features online tutorials for beginners and professionals to learn their way around a digital SLR camera and inkjet printer and unlock the full creative control of digital photography. To learn more about each program and register, please visit: www.usa.canon.com/canonlivelearning Tue, 01 Sep 2009 01:22:38 -0500 Nikon D3000 DSLR Camera Unveiled http://www.dslrcamerasreviews.com/a-11.html Today, Nikon announced the D3000 digital SLR camera, an affordable answer for users looking to experience the superiority of digital SLR photography or enthusiasts seeking a capable, compact D-SLR. The 10.2-megapixel D3000 has features that make it easier than ever to take great pictures, including the new Guide Mode, which lends a smart helping hand to new D-SLR users, and an extensive Retouch Menu, enabling consumers to edit photos, even without a computer. The D3000, which offers an 11-point autofocus system, also leverages proven Nikon D-SLR technologies, including the exclusive EXPEED™ image processing, Active D-Lighting system and 3D Color Matrix Metering II, enabling entry-level D-SLR shooters to take stunning pictures. “The D3000 combines the best of both worlds, providing picture takers with the ease-of-use currently offered in point-and-shoot cameras alongside the speed, precision and exceptional results that have made Nikon D-SLRs so popular,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “The D3000 offers everyone the ability to discover the superiority of D-SLR photography at an affordable price point. We look forward to enabling more consumers to explore the possibilities of D-SLR picture taking and, more importantly, capture life’s memories faithfully.” Intuitive Assistance On-the-Fly The D3000 includes the all-new Guide Mode with an easy-to-use interface to help new photographers build confidence in using a D-SLR with step-by-step instruction and inspiration. The Guide Mode, easily accessed by the Mode dial on the top of the camera, displays a variety of shooting situations via the LCD screen, indicating the most appropriate settings for a particular scenario. Users can also see sample photos on the LCD screen, which illustrate the effects of different photo-taking techniques. The Guide Mode also helps users easily review, organize and delete images. Whether new to D-SLR photography or simply mastering new shooting techniques, the D3000’s Guide Mode assists users in exploring effective picture taking solutions at their own pace to make capturing great pictures even easier. Small in Size, Big on Features With elegant ergonomics, softly rounded corners, and a comfortable grip, the D3000 packs powerful technology into a compact form factor. Though the D3000 is tiny when compared to professional D-SLR cameras, it boasts a large, bright three-inch 230,000-dot LCD screen, and now features an easier-to-read font size, 20 percent larger than in previous Nikon D-SLRs. Quick performance and response are at the core of the D3000’s design and its 11-point Multi-CAM 1000 autofocus system makes it easy to find and focus on a subject. Also, the D3000 offers split-second shutter response, eliminating the frustration of shutter lag, as well as the ability to capture images up to three frames per second, allowing users capture every moment. Users can enjoy the benefits of Nikon’s advanced 3D Subject Tracking, which continuously focuses on a fast moving subject throughout the frame. The D3000 provides multiple ways for users to engage with their pictures, post capture. It uses Nikon’s extensive in-camera Retouch Menu, which allows users to easily apply a variety of fun and dramatic effects to their images even when away from a computer. The D3000 introduces a new Miniature effect, which changes the appearance of distant subjects to look like close-ups of miniature models. The D3000 also inherits the Soft Filter and Color Outline Retouch options from the D5000, allowing users to express their photography in a new and artistic way. As with all Nikon D-SLRs, the camera creates the new retouched image, while preserving the original. For users who want to take their creativity to the next level, the D3000 also includes the ability to capture images in the NEF (RAW) format, in addition to traditional JPEG. Images captured with D3000 in the NEF (RAW) format include a greater amount of image data, which in turn, affords finer image control and higher uncompressed lossless image quality. With NEF (RAW) images, users can fine-tune the appearance of an image with simple adjustments to things like exposure, color saturation, brightness, and overall tone – especially in the post-production process. Users can use Capture NX 2, Nikon’s powerful image editing software, to achieve these desired effects. Nikon extends the creativity with Stop-Motion Movie Mode. With this mode, users can choose a collection of images within the D3000’s Retouch Menu, and the camera then compiles and stitches them into a fun and creative video file. Renowned Nikon Technology The D3000 leverages proven Nikon technologies to create the most positive picture taking experience for consumers. The D3000 delivers highly detailed images with vibrant color reproduction and low noise across a broad ISO range, due to its 10.2-megapixel CCD image sensor coupled with Nikon’s exclusive EXPEED image processing system. The D3000’s normal ISO range extends from ISO 100 to 1600, allowing for low light versatility. Additionally, the D3000’s ISO range can expand to a Hi-1 setting of ISO 3200, furthering the opportunities for shots that other cameras miss. The D3000 also makes use of Nikon’s Active D-Lighting system, which automatically compensates to reveal veiled details in shadows and highlights in high-contrast situations. For instance, when selected, Nikon’s Active D-Lighting can improve the appearance of fine detail in a person’s face that was previously hidden in dark shadows or bring out the highlights in a beautifully backlit landscape. Nikon’s exclusive 3D Color Matrix Metering II, in conjunction with the EXPEED image processing system, contributes to the D3000’s ability to capture breathtaking images by instantly evaluating the exposure elements of each scene and comparing it to an onboard database of information from more than 30,000 images. These split-second calculations allow the D3000 to ensure beautiful exposures—even when conditions are extreme. The D3000 also incorporates Nikon’s Integrated Dust Reduction System, which offers a comprehensive solution that combats the accumulation of image-degrading dust from the camera’s image sensor. The system not only utilizes an active sensor cleaning function that activates whenever the camera is turned on or off, but also the Airflow Control System to redirect dust particles, limiting their ability to reach the sensor. System Expandability Photographers and enthusiasts alike can also appreciate the D3000’s system expandability, as the camera can work in conjunction with a variety of Nikon accessories, including a broad assortment of legendary NIKKOR AF-S interchangeable lenses. While the D3000 offers a versatile built-in flash, the camera is also compatible with Nikon’s Creative Lighting System and capable of Advanced Wireless Lighting when using the SB-900 Speedlight or the SU-800 Wireless Commander. The D3000’s design also supports Eye-Fi memory card functionality, enabling the convenient wireless transfer of images from the D3000 to a computer, when using Eye-Fi memory cards.* Additionally, photos can be securely written to readily available SD cards, high-capacity SDHC cards and Eye-Fi memory cards, offering users a range of data storage options. Price and Availability The D3000 outfit, including the versatile AF-S NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens, is scheduled to be available at Nikon Authorized dealers beginning in late August 2009 at an estimated selling price of $599.95. For more information, please visit www.nikonusa.com. Thu, 30 Jul 2009 12:22:27 -0500 Nikon D300s DSLR Camera Unveiled http://www.dslrcamerasreviews.com/a-10.html Nikon today announced the D300s digital SLR, combining professional-level performance with agility and enhanced D-Movie capabilities to deliver a new benchmark for creative versatility. Engineered to leverage proven Nikon technologies, including a 12.3-megapixel CMOS sensor and 51-point autofocus system; the addition of HD video capture; and faster 7 frame-per-second (fps) continuous shooting, the Nikon D300s balances form factor, performance, versatility and reliability for serious photo enthusiasts and professionals. The D300s retains the photographer-friendly features of the critically acclaimed D300, while enhancing speed, versatility, and agility of the DX-format for a wide variety of photographers, including advanced enthusiasts, wedding shooters and photojournalists. The D300s can record HD video clips and high fidelity audio with an external stereo microphone input, offering users a D-SLR with full multimedia capabilities. Dual card slots afford users the ability to seamlessly record stills and video to one CompactFlash™ (CF) and one Secure Digital™ (SD) card separately, while one-button Live View, a new Quiet Shutter Release mode and Active D-Lighting bracketing help users to capture stunning images like never before. “Today’s photographer demands excellence and value from high-performance digital SLRs – and the Nikon D300s delivers,” said Edward Fasano, general manager for Marketing, SLR System Products at Nikon, Inc. “It’s no secret that more photographers need to gather multimedia content. In addition to proven technologies, such as the 51-point autofocus (AF) system and 12.3-megapixel CMOS sensor, we are more than confident that the D300s’ HD movie mode, along with a host of additional performance enhancements, will broaden the appeal of the camera to those seeking exceptional still image quality and video versatility.” The Benchmark of Speed, Performance and Reliability Whether on the front lines of spot news or behind the scenes at a spring wedding, users of the D300s can record HD video clips at 720p resolution with a smooth cinematic 24 fps rate. In addition, the D300s also records high fidelity audio—either with the convenient built-in microphone or by using the external stereo microphone input. Photographers can trim video length on the fly and apply Picture Controls to video, modifying the tone and color. Additionally, users can autofocus while recording video, using contrast detect AF, and do so while composing on the D300s’ bright three-inch 920,000-dot LCD screen. Nikon’s applauded AF system, with 51 high density focus points, performs even faster and more accurately on the new D300s. The Multi-CAM 3500DX AF module uses 15 cross type sensors to provide unparalleled focus performance across the frame. The D300s offers multiple focus modes, including single-point AF mode, and a dynamic-area AF mode, where users can select from nine, 21 or 51 AF points with 3D tracking. Additionally, the added Face Detection System lets users instantly zoom in on a human face in playback mode on the high-resolution LCD monitor to check critical focus. The Nikon exclusive and newly-accelerated Scene Recognition System (SRS) further refines Nikon's AF performance and light metering. In conjunction with the 3D Color Matrix Metering II system, the SRS uses precise color and brightness information from the 1,005-pixel RGB sensor to propel AF, auto exposure, i-TTL flash control and auto white balance to unprecedented accuracy. The renowned 12.3-megapixel DX-format CMOS image sensor in the D300s delivers extraordinary image quality and low noise throughout the entire ISO sensitivity range from 200 to 3200 (Lo-1 at 100 and 6400 at Hi-1). The D300s captures image data using 14 bit A/D conversion, processed through a 16-bit pipeline for optimal performance, resulting in images with sharp details and smooth tonal gradations. The D300s also incorporates Nikon’s exclusive EXPEED™ image processing. EXPEED image processing uses an accumulation of sophisticated Nikon intelligence and technologies to ensure impeccable quality for both still images and movies, while also achieving high-speed processing and low power consumption. When using the included EN-EL3e Li-Ion rechargeable battery, photographers can achieve as many as 950 shots under normal shooting conditions. The optional Multi-Power Battery Pack MB-D10 extends shooting comfort and supports three types of batteries: R6/AA-size batteries, along with Nikon's Rechargeable Li-ion Battery EN-EL3e and the EN-EL4a Rechargeable Li-ion Battery. It combines added stability with extended shooting of up to 2,950 shots*1 per charge and enables faster high-speed continuous shooting at up to 8 fps*2. The reinforced magnesium alloy body is lightweight, ruggedly constructed and comprehensively sealed and gasketed against the elements at key points, and the shutter has been proven to a demanding 150,000 cycles. Additionally, the D300s employs the Integrated Dust Reduction System countermeasures that combat the accumulation of image-degrading particles on the optical low-pass filter. World Class Versatility With the D300s, Nikon introduces the ability to bracket Active D-Lighting (ADL). By localizing tone control, ADL restores shadow and highlight detail typically lost in high contrast situations, such as backlit subjects or while outdoors with strong sunlight. ADL bracketing provides users with the ability to bracket up to five frames of ADL strength to help ensure perfect contrast throughout the frame, putting an end to the guesswork behind the shot with a bride’s intricate white dress and a groom’s tuxedo in the same frame, for example. Additionally, the D300s features two memory card slots—one CF and one SD, used simultaneously in a variety of configurations to match users’ preferences. Among the many options available, stills and video can record to separate cards or slots can be assigned for JPEG and RAW recording. The D300s offers “overflow” or “backup” modes, and when shooting D-Movie clips, it allows you to select the slot containing the card with the most available capacity. Users can also copy and paste files between cards. Also added to the D300s is a Quiet Shutter Release mode, which substantially reduces the sound of the mirror while shooting. Quickly accessed by selecting “Q” on the release mode dial, this feature is ideal for the photographer who wishes to remain unobtrusive. To further expand versatility, users have the ability to fine tune their images using Nikon’s Picture Controls to adjust sharpening, brightness, contrast and color hue. The D300s offers users four presets including Standard, Neutral, Vivid and Monochrome; while Landscape and Portrait settings can be downloaded from the Nikon website. While the D300s offers a versatile built-in flash with wider coverage for a 16mm lens, the camera is also compatible with Nikon’s Creative Lighting System and is capable of controlling up to two groups of remote units as a master / commander for Advanced Wireless Lighting. System Expandability In addition to compatibility with more than 60 NIKKOR lenses and a broad array of system accessories, the D300s will also perform well with the recently announced AF-S NIKKOR 70-200 f/2.8G ED VR II and the AF-S DX NIKKOR 18-200 f/3.5-5.6 ED VR II lenses. Price and Availability The Nikon D300s camera body will be available at Nikon Authorized dealers beginning in late August 2009 at an estimated selling price of $1799.95.** For more information, please visit www.nikonusa.com. Thu, 30 Jul 2009 12:19:25 -0500 Nikon AF-S DX NIKKOR 18-200mm f/3.5-5.6 ED VR II and the AF-S NIKKOR 70-200mm f/2.8G ED VR II Lenses Unveiled http://www.dslrcamerasreviews.com/a-9.html Nikon today announced the AF-S DX NIKKOR 18-200mm f/3.5-5.6 ED VR II and the AF-S NIKKOR 70-200mm f/2.8G ED VR II, two telephoto zoom lenses further refined to provide photographers with exceptional optics for outstanding image clarity and sharpness, both featuring Vibration Reduction (VR II) image stabilization. The 18-200mm, Nikon’s best-selling premium high-ratio zoom ever, offers enthusiasts excellent versatility. The 70-200mm f/2.8, now benefiting from Nikon's exclusive Nano Crystal Coat, retains its status as a preeminent choice for discerning professionals in a multitude of shooting disciplines. Both of these lenses use Nikon’s VR II image stabilization technology, which is engineered specifically for, and optimized to, function most effectively for each lens design to substantially reduce camera shake-related image blur. VR II allows photographers to shoot handheld at as many as four shutter speeds slower than would otherwise be possible, better assuring dramatically sharper images—even in challenging lighting conditions. Two VR modes are available: “Normal” mode, ideal for everyday use and panning a subject; and “Active” mode, for use in instances where more constant vibration (i.e. camera shake) is present, such as when shooting from a moving vehicle. “Nikon’s strong commitment to leadership in lenses drives us to constantly refine NIKKOR lenses to take advantage of newly developed technologies and introduce design innovations,” said Edward Fasano, general manager for Marketing, SLR System Products at Nikon, Inc. “Fifty years after the introduction of the Nikon F-bayonet lens mount, NIKKOR lenses remain an industry standard. We achieve this by investing in research and being attuned to the needs of both FX and DX-format photographers to provide the best lenses possible.” The 70-200mm f/2.8 VR: Essential Optics Refined The “go-to” lens of demanding professionals and serious enthusiasts, the 70-200mm f/2.8 is one of the most useful and sought after high-performance lenses for sports, wildlife, portrait, travel and news photographers. Nikon has further refined the lens, with an enhanced optical formula featuring seven extra low dispersion (ED) glass elements. These elements provide the ultimate in rendering characteristics to capture vibrant, high resolution images with optimal contrast. Image quality is further enhanced by Nikon’s Nano Crystal Coat, which reduces instances of lens flare and ghosting, elevating optical performance, even in tricky conditions such as those found in professional sports settings and stage events. Designed to deliver the pinnacle of image quality in a wide variety of conditions, the new 70-200mm VR II lens also includes a Silent Wave Motor (SWM) for fast, quiet autofocusing. The SWM takes full advantage of 3D tracking autofocus (AF) systems, such as those found on the FX-format D3X, D3 and D700 D-SLR cameras. Three focus modes are available - M, A/M and M/A - for automatically focusing, manually focusing or fine tuning AF performance to best suit the photographers’ needs. Nine rounded diaphragm blades contribute to a more attractive bokeh, allowing photographers create soft and more naturally separated backgrounds that better highlight the subject. The DX 18-200mm f/3.5-5.6 ED VR: Class-Leading Versatility The AF-S DX NIKKOR 18-200mm, the next generation of Nikon’s all-time best-selling premium high-ratio zoom, combines an 11X zoom range with VR II to provide DX-format enthusiasts with an extremely versatile zoom range in a compact form-factor. Nikon enhanced construction to include a zoom lock switch, to allow photographers to secure the lens barrel at its minimum length, eliminating the natural gravitational effect that can draw the barrel downward during transport. The inclusion of Nikon’s exclusive Super Integrated Coating (SIC) reduces instances of ghosting or flaring. Whether shooting artistic landscapes or vacation snapshots, this lens provides fast and quiet AF operation with the help of Nikon’s SWM technology. Designed to be a one-lens solution and weighing in at a scant 19.9 ounces and measuring only 3.8 inches in length, this lens provides an extraordinary (35mm equivalent) picture angle of 27-300mm when mounted on any Nikon DX-format camera such as the new D300s or D3000 D-SLR cameras. Additionally, the optical formula contains two ED glass elements and three aspherical lenses to minimize chromatic aberration and distortion. The resulting images exhibit extreme sharpness, extraordinarily vibrant color and crisp contrast. Price and Availability The AF-S DX NIKKOR 18-200mm f/3.5-5.6 ED VR II lens is scheduled to be available at Nikon authorized dealers beginning September 2009 at an estimated selling price of $849.95. The AF-S NIKKOR 70-200mm f/2.8G ED VR II lens is scheduled to be available at Nikon authorized dealers beginning November 2009 at an estimated selling price of $2399.95** For more information, please visit www.nikonusa.com. Thu, 30 Jul 2009 03:06:22 -0500